The Silvertone 1483 Kemper Profile Pack 2.0 seeks to recreate the tone of a vintage Silvertone 1484 and matching 1×15 Amp. A lot of guitar players may be familiar with the Silvertone Twin Twelve but this is sort of the secret weapon of the Silvertone line up and is actually the Bass Amp from the series. Truthfully it’s a pretty poor bass amp, but it is an incredible guitar amp! The breakup is gnarly, lofi and the matching 1×15 cab gives this amp a powerful old school Americana type guitar tone. We also made versions of these captures with a Matrshall 4×12 with greenbacks. If you want something that is a different flavor than all the AC and Deluxe style amps of the world… try this!
4 Stadium, 4 Helix OG, 4 HX Stomp Presets built on 4 Tone matched IRs
Silvertone 1483
The Silvertone 1483 Kemper Profile Pack 2.0 seeks to recreate the tone of a vintage Silvertone 1484 and matching 1×15 Amp. A lot of guitar players may be familiar with the Silvertone Twin Twelve but this is sort of the secret weapon of the Silvertone line up and is actually the Bass Amp from the series. Truthfully it’s a pretty poor bass amp, but it is an incredible guitar amp! The breakup is gnarly, lofi and the matching 1×15 cab gives this amp a powerful old school…
New Release
The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band (among others in the scene).
This particular amp started life in 1967 as a stock Fender Bassman, which then served as the donor for extensive mods and a full rebuild. Channel 1 is something like a Brownface Deluxe or an 18-watt Marshall. It offers warm, dynamic, and touch-sensitive tones. Channel 2 is more aggressive and similar to a '70s 50-watt small-box Marshall with serious crunch. Channel 3 builds on that again with more gain. It has a Mesa-like vibe but thicker and fuller.
It's a little piece of rock 'n' roll history!
3 Stadium, 3 Helix OG and 3 HX Stomp presets built on 3 ToneMatched IRs
67 Prune Music
The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band. This particular amp started it’s life as a…
New Release
The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After booze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
3 Stadium, 3 Helix and 3 HX Stomp presets with 6 Tonematched IRs
SPRKL30 Pack!
The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After Sooze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
New Release
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best i have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
25 Kemper Profiles (Including 11 Directs and 3 Liquid profiles)
Key:
M25 - G12M25 Speaker
H30 - G12H30 Speaker
Wreck Collection
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best I have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
New Release
The 67 DLX DRV Pack seeks to recreate a one of kind amp loaned to me from a well known guitar player here in Nashville. He actually asked me not mention who had performed the modifications to this amp or to photograph the amp itself. It was built for him as a gift and he didn’t want to profit off the relationship. So in an effort to honor his request I can tell you that this amp started its life as a 67 Deluxe Reverb. The Vibrato Channel remained mostly that circuit with a few tweaks however the Normal channel was rebuild to cascade into the vibrato channel and provide more gain. The amp was eventually rehoused into a head and paired with an old Jensen which would have been similar to the original speaker but I felt the amp paired better with a 2×12 cab filled with Celestion G12-65s.
In a few words… this is a better Deluxe Reverb, fully capable of what a deluxe does but it naturally progresses into a harmonically rich and tight overdrive that a normal Deluxe Reverb can’t reach.
Channel 1 is the vibrato channel of the amp running thru a 2×12 Celestion G12 65.
Channel 2 is the normal channel running into the vibrato channel utilizing the gain. You can hear the extra gain stage adding a more tubular sound, more bass and more gain.
Channel 3 is the Vibrato channel with a separate D style preamp running into the vibrato channel. Brighter, a bit less mids and more clarity than channel 2.
3 Helix and 3 HX Stomp Presets built on 3 ToneMatched IRs
67 DLX DRV Pack
The 67 DLX DRV Pack seeks to recreate a one of kind amp loaned to me from a well known guitar player here in Nashville. He actually asked me not mention who had performed the modifications to this amp or to photograph the amp itself. It was built for him as a gift and he didn’t want to profit off the relationship. So in an effort to honor his request I can tell you that this amp started its life as a 67 Deluxe Reverb. The Vibrato Channel remained mostly that circuit with a few tweaks however the Normal channel was rebuild to cascade into the vibrato channel…
New Release
The Entire Tone Junkie Stadium/Helix/HX Stomp Collection with Tone Matched Impulse Responses!
Please note the everything pack is not a subscription for future packs.
**Artist Packs like there Stu G Packs, Official Brand Packs like the Official SineWave Continuum Pack and Inspired By Packs are not included but all other amp packs are. We would not be able to compensate our parters by including them at such a large discount.
Everything Pack
50% OFF FLASH DEAL! Get the entire collection for $99! Use code “PINK50”
The Official Sinewave Continuum OD Pack from Tone Junkie and Sinewave Amplification seeks to capture the tones of the SineWave Continuum OD Amplifier. The Continuum OD Pack features tons of tones utilizing two speakers/cabinets (G1265 and M75), options for bight switches, middle switches and both channels engaged as well as pairings with some killer overdrives and boosts. Channel one is "that tone" in two modes hi/lo. and the overdrive channel which extends the amps gain range for singing bluesy leads and even into rock territory.
2 Helix Presets and 2 HX Stomp with 12 ToneMatched IRs
For this pack we built two presets… one created the amp like a clean platform and the other treats it like a channel switching amp. You can drop in any IR you wish but for the channel switching preset marked “OD” we suggest using at least one IR marked OD for the higher gain setting so simulate the amp switching to the OD channel.
B - Bright Switch
M - Mid switch
OD - Overdrive Channel
M75 - Scumback M75 speaker
Official Sinewave Continuum OD Pack
The Official Sinewave Continuum OD Pack from Tone Junkie and Sinewave Amplification seeks to capture the tones of the SineWave Continuum OD Amplifier. The Continuum OD Pack features tons of tones utilizing two speakers/cabinets (G1265 and M75), options for bight switches, middle switches and both channels engaged as well as pairings with some killer overdrives and boosts. Channel one is "that tone" in two modes hi/lo. and the overdrive channel which extends the amps gain range for singing bluesy leads and even into rock territory.
New Release
The Inspired by the 80s collection pack seeks to recreate the tones of some of the best and most iconic guitar tones from the 80s! We turned on some chorus and dialed is several of our go to amps for these tones and built performances for:
Boys of Summer
Crazy Train
Every Breath You Take
Hit Me With Your Best Shot
Lonely is The Night
Money For Nothing
Shook Me All Night Long
Streets
Time After Time
Working For The Weekend
You Give Love A Bad Name
I Ran
80’s Home Base
13 Presets and Tone Matched IRs Inside!
*Please Note - The Inspired by collection is inspired by these artists and their recordings. While we created these tones referencing the isolated guitar tracks (when available) we do not guarantee they sound exactly like any particular record or live performance. Differences in pickups and guitars and your fingers all play a part in tone and sometimes adjustments need to be made. With that said, these tones and presets should immediately remind you of these artists/songs and performances when played with roughly similar gear.
Rad 80s Tone!
The Inspired by the 80s collection pack seeks to recreate the tones of some of the best and most iconic guitar tones from the 80s! We turned on some chorus and dialed is several of our go to amps for these tones and built performances for: Boys of Summer, Crazy Train, Every Breath You Take, Hit Me With Your Best Shot, Lonely is The Night, Money For Nothing, Shook Me All Night Long, Streets, Time After Time, Working For The Weekend, You Give Love A Bad Name, I Ran, 80’s Home Base (General 80's Tone)
New Release
The JOSE 100 Pack from Tone Junkie seeks to recreate a very special amp inspired by some of the most famous modded Marshalls ever. Used by all sorts of Rock Icons the modded Marshalls of the late 80’s became many of the iconic rock tones we think of on our favorite glam rock, 80’s rock and hard rock records. We’re captures these tones in “4 channels” which equated to 4 distinct voices using a combination of the amps settings but also mic choice and placement. Inside you will find gained up vintage Marshall to crunchy 80’s rhythm tones, Eddie, searing leads, pushed and scooped etc.
33 Kemper Profiles (Including 9 Direct)
Key:
+ - Tubescreamer
D - Direct
JOSE 100
The JOSE 100 Pack from Tone Junkie seeks to recreate a very special amp inspired by some of the most famous modded Marshalls ever. Used by all sorts of Rock Icons the modded Marshalls of the late 80’s became many of the iconic rock tones we think of on our favorite glam rock, 80’s rock and hard rock records. We’re captures these tones in “4 channels” which equated to 4 distinct voices using a combination of the amps settings but also mic choice and placement. Inside you will find gained up vintage Marshall to crunchy 80’s rhythm tones, Eddie…
New Release
The DMBL WATT Pack from Tone Junkie is an original creation combining the front end preamp of two DMBL Style amps into a Hiwatt Custom 100 once we adjusted/ EQ'd out some of the kinks we arranged 2 different style channels one more on the cleaner side and one more aggressive but both channels are capable of clean to dirty tones. Channel 1 is a beautiful expressive clean to OD reminiscent of JM and JH with it's own flavor and high end roll off, while channel 2 has more sizzle and gain and feels more like an HRM flavor of breakup with that open, crisp HW style breath. I would describe channel 2 as more Marshall-esque.
2 Helix Presets and 2 HX Stomp Presets built with 2 ToneMatched IRs
Key:
+ KLON
D - Direct
DMBL WATT
The DMBL WATT Pack from Tone Junkie is an original creation combining the front end preamp of two DMBL Style amps into a Hiwatt Custom 100 once we adjusted/ EQ'd out some of the kinks we arranged 2 different style channels one more on the cleaner side and one more aggressive but both channels are capable of clean to dirty tones. Channel 1 is a beautiful expressive clean to OD reminiscent of JM and JH with it's own flavor and high end roll off, while channel 2 has more sizzle and gain and feels more like an HRM flavor of breakup with that open, crisp HW style breath. I would describe channel 2 as more Marshall-esque.
New Release
The WRCKD86 Pack is an original, one of a kind, creation from Tone Junkie. We set out to combine gain and chime of a couple EF86 preamps with the touch sensitivity and tonality of a TrainWreck Express. The result is thick and robust overdrive with one channel featuring a more AC/Matchless style channel which we called AC and a more classic British Plexi/JTM45 crunch channel we called "PLX". It's thick, chimney, crunchy, robust and full... try to clean it up and you'll get that classic Wreck sensitivity.
6 Helix Presets, 6 HX Stomp Presets, 6 ToneMatched IRs
Key:
AC - AC style Channel
PLX - Plexi/JTM45 style channel
B - Bright
X - Alnico Speakers
+ - KLON
D - Direct
WRCKD86
The WRCKD86 Pack is an original, one of a kind, creation from Tone Junkie. We set out to combine gain and chime of a couple EF86 preamps with the touch sensitivity and tonality of a TrainWreck Express. The result is thick and robust overdrive with one channel featuring a more AC/Matchless style channel which we called AC and a more classic British Plexi/JTM45 crunch channel we called "PLX". It's thick, chimney, crunchy, robust and full... try to clean it up and you'll get that classic Wreck sensitivity.
New Release
The DMBL MSTR is an original, one of a kind, creation from Tone Junkie. We set out to combine the tone of one of our favorite vintage marshall with the quintessential dumble clean and lead tones... the result is an amp that captures the openness and crunch of a vintage plexi along with the versatility and thick midrange of a dumble ODS. We used a Marshall Preamp, dumble Phoenix type circuit and the power section of a 1968 Marshall PA 100... EQ'd every stage... and started tinkering. The result is one of the most remarkable, unique and versatile packs we have ever released.
5 Helix and 5 HX Stomp Presets built on 5 ToneMatched IRs
Key:
B - Bright
D - Direct
Dumble + Marshall
The DMBL MSTR is an original, one of a kind, creation from Tone Junkie. We set out to combine the tone of one of our favorite vintage marshall with the quintessential dumble clean and lead tones... the result is an amp that captures the openness and crunch of a vintage plexi along with the versatility and thick midrange of a dumble ODS. We used a Marshall Preamp, dumble Phoenix type circuit and the power section of a 1968 Marshall PA 100... EQ'd every stage... and started tinkering. The result is one of the most remarkable, unique and versatile packs we have ever released.
New Release
The AC80 Pack from Tone Junkie seeks to recreate a classic circuit beefed up to have more power! The AC80/AC100 refers to the AC model produced by VOX utilizing an AC30 style front end into 4 EL34s. This circuit combines a classic AC30 front end with higher power handling and an over all bigger sound with more fidelity and tightness at higher gain levels while retaining the classic AC style chime and growl.
2 Helix and 2 HX Stomp Presets built on 2 ToneMatched IRs
AC80
The AC80 Pack from Tone Junkie seeks to recreate a classic circuit beefed up to have more power! The AC80/AC100 refers to the AC model produced by VOX utilizing an AC30 style front end into 4 EL34s. This circuit combines a classic AC30 front end with higher power handling and an over all bigger sound with more fidelity and tightness at higher gain levels while retaining the classic AC style chime and growl.
New Release
The Tone Junkie Big Tone Pack for Kemper contains a brand new collection of 5 classic amps from the Tone Junkie Collection captured to give you…. BIG TONE. While some more dense mixes may called for a more focused and carved out guitar tone with a mid range emphasis sometimes you just want a BIG, HUGE TONE! So we took our 65 Twin, 68 JMP PA100, 58 Bandmaster, B30 and DMBL Ultraphonix and paired them with some speakers and microphones to give you a strong and bold low end, extended airy highs and mid range emphasis to dialed in for each voice. If you are after BIG TONE, these are the biggest sounds we have pulled out of these amps. Enjoy!
7 Helix Presets, 7 HX Stomp Presets and 7 Tone Matched IRs
Key
B - Bright
CLN - Clean
OD - Overdriven
DRV - Driven/ Dirty
BIG TONE!
The Tone Junkie Big Tone Pack contains a brand new collection of 5 classic amps from the Tone Junkie Collection captured to give you…. BIG TONE. While some more dense mixes may called for a more focused and carved out guitar tone with a mid range emphasis sometimes you just want a BIG, HUGE TONE! So we took our 65 Twin, 68 JMP PA100, 58 Bandmaster, BC30 and DMBL Ultraphonix and paired them with some speakers and microphones to give you a strong and bold low end, extended airy highs and mid range emphasis to dialed in for each voice. If you are after BIG TONE, these are the biggest sounds…
New Release
The JM Continuum Pack from Tone Junkie seeks to recreate the tone of the SineWave Continuum Amp. The circuit in this amp is that of the Two Rock John Mayer Signature amp. This is one of those amps that for good or bad…. it always sound like itself… the EQ, Contour, BMT swithes work to shape the tone but the amp always features that signature JM tone. It’s a deep bass, with a sweet singing quality that is open and airy. The Bright Switch, Middle Switch etc add a different flavor on top but the main course stays the same… it’s THAT TONE!
4 Helix Presets, 4 HX Stomp Presets and 4 Tone Matched IRs
Key:
Sig - JM’s settings
B - Bright Switch
M - Mid Switch
BB - Bluesbreaker
D - Direct
The RC50 Jimmy Pack seeks to recreate the sound of a “Reeves Custom 50 “Jimmy” which is a clone of Jimmy Page’s Hiwatt used on many Led Zeppelin recordings. Compared to other HiWatts this circuit has more gain and a tight punch perfect for Jimmy and all types of rock and blues. We gave you the choice of 3 levels of saturation with 4 sounds each and also your choice of both the H and M speakers.
The 65 Cambridge Helix HX Pack seeks to recreate the sound of a 1965 Vox Cambridge 1x10 combo. Did you know that before the Vox made the Cambridge into their solid-state model it was made for two year, 65-66 as an all tube 17 watt combo? This EL84 driven 1x10 combo was designed and released to compete with the Fender Princeton reverb and feel like a cross between an AC15/10 and a Princeton. We grabbed its tone thru the Oxford made Golden bulldog speaker that is one of the best, little known old speakers that are rarely talked about. Plus we have given you the option of some larger cabs like a couple 4x12s and some old Alnico Silvers.
8 Presets (Helix, HX Stomp, Pod Go) + 8 ToneMatched IRs
Key:
M - 69 Marshall 4x12 G12 M25
H - 70 Orange 4x12 G12 H30
X - 66 Vox AC30 combo Alnico Silver
B - Bright EQ
N - Normal EQ
The DMBL PHOENIX Pack seeks to recreate the tone of the "Dumble Phoenix Preamp"! the final evolution of the ODS sound and offered to dealers by Dumble this preamp covers all the ODS sounds you know and love and is even more versatile. Cleans that are bright, full bodied and beautiful, HRM style crunch reminiscent of your favorite british amps and a ultra thick and singing OD channel that is really the only one like it I have heard... it is at times fuzz like.... thick and full while remaining articulate.
5 Presets built on 5 ToneMatched IRs for Helix and HX Stomp
Key:
R - Rock
J - Jazz
OD - OD channel
B - Bright switch
Based on a rare Dumble amp known as the “70’s Overdrive Deluxe” the DMBL ODRV Pack from Tone Junkie seeks to capture the sound of an Overdrive Deluxe clone, mic’d with a Royer 121 ands SM545. We utilized 2 speakers the default G12-65 Celestion and the signature EJ speaker the EJ1250. While both fit the amp well you will notice the G1265 is warmer and brings out the amps naturally thick characteristic, especially on the more aggressive Rock settings. Jazz settings are cleaner and cleaner in the midrange in general but the EJ1250 also adds more presence across the range of profiles/capture. We have also included a full range of directs for matching with any of our AI IR packs and their variety of microphones or your favorite IR.
Key:
D - Direct
B - Bright
R - Rock
J - Jazz
EJ - EJ1250 speaker
The BC Cub 40 Pack from Tone Junkie (for Kemper, ToneX, QC and Helix) seeks to recreate the sound of the "Bad Cat Cub 40". Combining the preamp with switchable 12ax7/EF86 preamp similar to the DC30/BC30 but on top of a larger EL34 power section. the 12AX7 side is cleaner and more scooped with a brilliant and beautiful high end. (Very reminiscent of a AC50) The EF86 side is thicker, dirtier and has a pushed midrange voice.
BC Cub 40 Helix/HX Pack contains presets for Helix, HX Stomp and Pod Go:
6 Presets
6 ToneMatched IRs
The JH100 Pack seeks to recreate the sound of a “PRS JH100” amplifier powering a 69 Marshall and 70 Orange 4×12 (marked H30). This is the circuit Paul lifters from one of Hendrix’s old Marshalls. It delivered a more refined Plexi tone than a vintage one in my option… being much more clear in the top end instead of raspy as the gain comes in. We captured the Normal, Bright and two channels jumped together. It’s a beautiful example of a refined plexi type sound that sounds much more polished, recording ready and clear.
6 Helix Present and 6 HX Stomp Presets built on 6 ToneMatched Presets
Key:
B - Bright channel (Treble)
N - Normal Channel (Bass)
J - Jumpered Channels
H30 - 70 Orange 4×12 with G12H30s
The Mars 2553 Pack from Tone Junkie seeks to recreate the tone of a 1987 Marshall Silver Jubilee 2553 thru a couple of out favorite cabinets. This classic Marshall has been the sound of 100s of popular records and its reputation is well deserved. Perfect for Rock, Blues, Pop, Early Metal, etc. We shot this as a 3 channel amp. 1 Clean, 2 Crunch and 3 Lead and it's all MONEY!
M - 69 Marshall 4×12 Cab
H - 70 Orange 4×12 Cab
D - Direct
6 Helix and 6 HX Stomp Presets with 6 ToneMatched IRs
The AC50 Pack for Kemper, ToneX, QC, and Helix seeks to capture the sound of a 1960s Vox AC50. Featuring a Brilliant and Normal Channel the AC50 takes the AC30s iconic sounds and beefs it up with a pair of EL34 adding a larger amp amp feel. To me the AC50 has a sound that is best described as an AC30 meets a Marshall Plexi. Kemper owners will find liquid profiles of all channels for each speaker IR. ToneX and QC will find Directs and Studio style captures with included IRs allowing for you to choose the speaker you would like to use.
M - 69 Marshall 4x12 G12M25
H - 70 Orange 4x12 H12 H30
X - Celestion Alnico Silver
The “BC CS50 Pack” from Tone Junkie seeks to recreate the sound of a Bad Cat AB50. This custom Shop amp from Bad Cat runs 6L6s and is extremely versatile boasting both beautiful cleans and overdrive synonymous with the Bad Cat but also a High Gain channel capable of Modern Hi Gain tones. We captures the entire breathe of tones thru 3 speaker M - Celestion G12M25, H - Celestion G12H30 and V - Celestion V30. Profiles/captures of channel 1 feature a more traditional 12ax7 Bad Cat tone with which runs a bit hotter than other Badcat/Matchess style amps. Channel 2 features high gain crunch, all captured with a Royer 121 and SM545 and HA-1073s.
EVER HEARD OF JOHNNY MCINTYRE?
Well he made a name for himself in the amp world by building modified Bassman’s and BandMasters and turning them into a cross between a pushed juicy as a peach Bassman and a 70’s Marshall. This one has been outfitted with EL34s and has a blend pot to sort of mix the two sounds together. The resulting tone is one of the most incredible Blues/Rock amps we have found. The amp was dubbed the Blues Maker and we captured it across 3 settings…
1 - Pushed Fender
2 - Mid Forward Vintage Marshall
3 - 70s Plexi Crunch
The Helix/ HX Pack Pack features 6 Helix/ 6 HX Stomp and 6 ToneMatched IRs which covers 2 speaker choices, H and M, H30, and M25 Greenbacks and 3 different amp settings (channels).
The Hot Cat 40 Pack seeks to recreate the tones of a "Bad Cat Hot Cat 40" running KT88s. Capable of much more gain than it's cousin the BC30, the Hot Cat Pack contains tones that are best described on the cleaner side as a more aggressive AC30 but as the gain rolls up you will notice a much more scooped EQ and aggressive gain level rivaling a hot rodded Marshall.
Compatible with Helix, HX Stomp and Pod Go...
6 Presets with 6 ToneMatched IRs
The Super Pack for Helix, HX Stomp and Pod Go features 10 Tone matched IRs and 10 Presets covering 4 Supro amps, the Comet, the 1600, the Super sStatesman and the ThunderBolt. known for their rich harmonics and vintage flavor you will find the classic sounds reminiscent of Supro amps in this bundle!
The 58 5F6 Bassman Pack features 4 ToneMatched IRs, 4 Helix, 4 HX Stomp and 4 Pod Go Presets coving both the normal and Bright channel of the iconic tweed Bassman thru it’s 4×10 cabinet and also the amp run thru a vintage 1970 Orange 4×12 Cab with H30s. The result is a tighter more Marshall type breakup compared to it’s own alnico speakers.
The SkyBird Pack features 3 ToneMatched IRs which power 3 Helix, 3 HX Stomp and 3 Pod Go Presets that seek to recreate the tone of one of our all time favorite amps… the 60’s Gibson Skylark! We ran the amp thru a 10,12, and 15 inch speaker and the result is the aggressive and addictive tone of this little beast in 3 sizes…and they all ROCK!
The British 74X Helix Pack features 3 ToneMatched IRs, 3 Helix, 3 HX Stomp and 3 Pod Go presets delivering the sound of the mini marshall roaring with 18 watts of JTM goodness!
The Match C30 Helix Pack seeks to recreate the iconic sound of the Matchless C30! Featuring 6 Tone Matched IRs, 6 Helix, 6 HX Stomp and 6 Pod Go presets, we built these sounds to capture the M speaker, H speaker and both speakers together giving you the sound of both speakers in the matching cab or the speakers blended together. It’s like the best AC30 with that signature million dollar high end that has made this circuit famous…
The Loanster Pack features 3 Tone Matched IRs, 3 Helix, 3 HX stomp and 3 Pogo presets covering the each channel of the amp and the tweed mode. Kilelr cleans, bluesy overdrive and lovely leads.
The 66 AC15 Pack with Tone Macthed IRs features not just our 66 AC15 with original Silverbells but also a modern AC15 hardwired with UK made Blue. The pack features 15 ToneMatched IRs, 15 Helix, 15 HX Stomp and 15 Pod Go Presets that feature each channel multiple speakers and a very tasty IR featuring just the Royer 121… a beautiful pairing!
The Match Brave Pack from Tone Junkie seeks to recreate the sound of the 97 Matchless Brave. An amp that is rarer than hens teeth and was the last circuit designed for Matchless my Mark Sampson. The pack contains tones, spanning from clean to British crunch. You will hear a tone reminiscent of legendary British amps but with a beautiful refined high end, a pronounced and clear bass and a fullness all its own while maintaining the high end Plexis are known for. This is one of my all time favorite amps and maybe the best Marshal amp I own. (Which includes several late 60s and early 70s amps.) Inside you will find Eqs seeking to replicate the normal and bright EQs we have dialed in as well as 4 speaker choices.
M - 69 4x12 Greenbacks
H - 70 4x12 Orange H-30s
X - 66 Vox AC30 Combo
B - Bright EQ
The Gainstar 15 Helix HX Stomp with ToneMatched IR seeks to recreate the sound of a Star Gainstar 15. Built by Mark Sampson this circuit seems to share a similar tonal architecture to his previous work at Matchless and BadCat but the Gainstar 15 feels like a hotter gainer version of that sound. Channel 1 feels like a hotter and juicier Match type sound with Channel 2 being a completely high gain and searing lead type sound. Still ultra expressive but much more aggressive with a throaty voice. Unlike other attempts at this type of sound like a Hot Cat etc. This amp feels like two amps in one but still share in common an expressiveness and Tonal clarity that is the circuits signature characteristic.
6 Presets (for Helix, HX Stomp, PodGo) + 6 Tone Matched IRs
Key:
M - 69 Marshall 4x12 with G12 M25
H - 70 Orange 4x12 with G12 H30
X - Vox AC30 2x12 Cab with Alnico Silvers
The 68 Twin Reverb 15 Helix HX Pack seeks to recreate the sound a 1968 drip edge Twin reverb that was outfitted with a JBL D140F speaker. I ran into this amp used in a store and realized that although someone had modified this vintage amp they modified it either back in the 60s or they took the time to match the speaker and amps from fender from those years. If Fender had made a Twin with a 15 inch cab this is the speaker they would have used, because the JBL D140F was the 15 inch speaker in other fender amps in the 60s. The sound is big and bold, bright and deep like a twin should be. We ToneMacthed each channel with and without the amps cabinet, both channels and with the bright switch on and off and with several mic combos.
12 Presets (Helix, HX Stomp, PodGo) + 12 ToneMatched IRs
Key:
N - Normal Channel
V - Vibrato Channel
B - Bright Switch
RS - Royer 121/SM545
FS - Fathead/SM545
121 - Royer 121
545 - SM545
M7 - Munich 7
The 57 5E3 Deluxe Liquid Helix HX Pack seeks to recreate the sound of HW's 1957 5E3 Fender Tweed Deluxe with Original Jensen P12 . Absolutely beautiful sounding amp! The classic sound of Neil Young, the Eagles and tons of other acts. Channel 1 (Instrument Channel) is a bit brighter and the tone knob actually adds gain as well as brightness. Channel 2 (Microphone Channel) is a bit darker and has a beautiful vintage warmth when clean. We shot the Impulse responses with a Cascade FatHead 2 and a vintage SM545 as well as individual mic options.
8 Presets (HELIX, HX Stomp, PODGo) + 8 ToneMatched IRs
The 58 5E7 Bandmaster Helix Pack with ToneMatched IRs from Tone Junkie seeks to recreate the sound of one of my most prized amps from my collection. Previously believed to be a 1957 is one of my all time favorites amps. The Mic Channel (2) is full and driven but the included preset gives you variety of gain levels. The instrument channel (1) is brighter and a bit more scooped in the low mids. Thie is the sound of the amp in my head and where I spend 80% of my time. We also included some fun presets and IRs of the amp mixed off speaker not he baffle which is a very cool sound.
7 Presets for Helix, HX Stomp and POD GO + 7 ToneMatched IRs
The Inspired by JH Performance pack for Helix, HX Stomp and Pod Go seeks to recreate tones inspired by Jimi Hendrix! Built on Tone Matched IRs from late 60s Marshall Plexi, a 59 Fender Bassman 5F6 , and a Marshall JTM 45/100, recreated from Jimi’s amp! We’ve dialed in effects reminiscent of some popular JH tunes including All Along the Watchtower, Foley lady, Little Wing, Machine Gun, Manic Depression, Purple Haze, Red House, Voodoo Child Wind Cries Mary and the Woodstock Star Spangled Banner. We also added a Performance called “Hendrix”, this is a general “Jimi-like” setup that with 2 rigs that you can drop into any of the performances.
11 Presets and 3 ToneMatched IRs Inside!
*Please Note - The Inspired by collection is inspired by these artists and their recordings. While we created these tones referencing the isolated guitar tracks (when available) we do not guarantee they sound exactly like any particular record or live performance. Differences in pickups and guitars and your fingers all play a part in tone and sometimes adjustments need to be made. With that said, these tones and presets should immediately remind you of these artists/songs and performances when played with roughly similar gear.
The AC44 Helix/HX Pack with Tone Matched IRs pack seeks to recreate the tone of an amp we created with a lot of trial and error. We ran an AC10SRT clone on a 100 watt EL34 power section and found some magic in the results. It’s chewy, brilliant, present and touch sensitive.
We built scenes to include gain levels and some usable effects, including chorus, and harmonic trem along with ambient delays and reverbs. and some more straight forward settings on the clean, overdrive, rock and lead scenes. Also included are 12 Tone Matched IRs capturing the tone of this rig in multiple iterations including, Bright (B), Low Cut (LC), Midrange Forward (MID), Normal (N) etc. and each of these channels/voices include an IR for the 1969 Marshall 4x12 with” M25”(Greenback), 1970 Orange 4x12 with “H30” Heavy magnet Greens and “X” denoting a 1966 Vox AC30 cabinet with Alnico Silvers.
(12 Presets and 12 Tone Matched IRs, HX stomp versions also included)
The BobCat 20 Helix HX Pack with ToneMatched IRs from Tone Junkie seems to recreate the sound of one of my all time favorite amps, The Bad Cat 20R combo. This circuit features a 6SL7 preamp tube and have a unique breakup that is aggressive when pushed into overdrive or with the higher gain settings but also reminiscent of an 50’s Tweed deluxe ore Valco amp when clean and edge of breakup. The overdriven tones stay much tighter than a classic amp however and features a beautiful singing midrange that has a certain singing or “chirp” like quality.
The 67 Bassman Helix HX Pack with Tone Matched IRs seeks to recreate the sound of a 1965 Fender Bassman Circuit AB165. These re some of the best classic American style tones we have been able to get on the Helix with the help of the new Model and ToneMatches IR. The midrange is scooped as you would expect but in Black panel fashion the high end is beautifully rolled off while still being clear and bright. Warms and clarity, like a Bell.
We have included 2 presets and 1 Tone Matched IR capturing the tone of the amp with the bright switch on and off.
(2 Presets with 1 Tone Matched IR, HX Stomp version included)
The Inspired by Slash Preset Pack for Helix seeks to recreate tones inspired by Slash. Built on ToneMatched IRs from an early 70s Marshall SuperLead and a Marshall Silver Jubilee. We’ve dialed in effects reminiscent of some popular GNR tunes including Welcome To The Jungle, Sweet Child of Mine, Slither, Paradise City, November Rain, Live and Let Die. We also added a Preset called “SLASH”, this is a general “Slash-like” setup that with 4 rigs that you can Hear back to back and any of the amps and IRs can be dropped into any other song preset.
7 Helix Presets and 4 Tone Matched IRs Inside!
*Please Note - The Inspired by collection is inspired by these artists and their recordings. While we created these tones referencing the isolated guitar tracks (when available) we do not guarantee they sound exactly like any particular record or live performance. Differences in pickups and guitars and your fingers all play a part in tone and sometimes adjustments need to be made. With that said, these tones and presets should immediately remind you of these artists/songs and performances when played with roughly similar gear.
The Match Mini Helix/HX Pack with Tone Matched IRs from Tone Junkie seeks to recreate the tone of a “Matchless SC-Mini”. This single el84 ended EF86 little monster is ultra dynamic and sings clean and overdriven. It also pairs beautifully with KLON-style circuits.
We have included 6 Presets with 6 Tone Matched IRs, capturing this circuit’s tone using M25 and H30 style speaker thru a Matchless EDS 2x12 cabinet.
(6 Presets and 6 Tone Matched IRs for Helix and HX Stomp)
The BC30 Helix/HX Pack with Tone Matched IRs from Tone Junkie seeks to recreate the tone of a Sampson Era Bad Cat Black Cat 30 (Matchless DC30). This is an iconic amp circuit designed by Mark Sampson and sounds like an idealized AC30 with a bigger tighter low end and a smooth million dollar chime in the high end.
We have included 12 Presets with 12 Tone Matched IRs capturing the tone of both the 12AX7 and EF86 channels through both the the M25 and H30 speaker and included 2 additional variations with a more mid forward and scooped V EQ to match your guitar.
(12 Presets with 12 Tone Matched IRs, HX Stomp version also included)
Our largest Helix/HX Stomp Pack Ever!
The 65 Collection Helix HX Stomp Pack with Tone Matched IRs seeks to recreate the sound of all 13 vintage Fender amp from 1965 known as “black panel” amps. It’s like having the entire black panel line up in your Helix! These classic cleans and overdrive tones have shaped the sound of blues, rock, jazz, soul and pop and the guitar itself! We have ToneMatched each amp and their different inputs with and without bright switches engaged. This pack includes 40 Presets with 40 Tone matched IRs and seek to recreate the tone of… 65 Champ, 65 Princeton, 65 Deluxe, 65 Vibrolux, 65 Pro Reverb, 65 Concert Amp, 65 Super Reverb, 65 Vibroverb, 65 Tremolux, 65 Bandmaster, 65 Bassman, 65 Dual Showman.
The Inspired by Eddie Helix/HX Stomp Preset Pack with Tone Matched IR seeks to recreate tones inspired by Eddie Van Halen. Built on a Tone Matched Modified Impulse response, we used the 5150 Model in the and created and IR matched to a Marshall SuperLead. Adding some more mids in the Amp block reminds me more of the 5150 sound and a little less is reminiscent of the earlier Plexi Tone. Stock it feels in the middle. We’ve dialed in effects reminiscent of some popular Van Halen tunes including Eruption, Ain’t Talkin’ Bout Love, Hot for Teacher, Judgement Day, Jump, Pretty Woman, Unchained and Beat It. We also added a snapshot called “Home Base” to the “Eruption" Preset, this is a general “eddie-like” setup that we really enjoy for some inspired by tones without referencing any song in particular.
8 Helix and HX Stomp Presets + 1 Tone Matched Modified IR.
*Please Note - The Inspired by collection is inspired by these artists and their recordings. While we created these tones referencing the isolated guitar tracks (when available) we do not guarantee they sound exactly like any particular record or live performance. Differences in pickups and guitars and your fingers all play a part in tone and sometimes adjustments need to be made. With that said, these tones and presets should immediately remind you of these artists/songs and performances when played with roughly similar gear.
The Entire Tone Junkie Helix/HX Stomp Collection with Tone Matched Impulse Responses currently containing 15+ Preset Packs in a single Bundle!
Please note this is not a subscription for future releases
Everything Pack
The Mars LJ 800 Helix HX Pack with Tone Matched IRs seeks to recreate the sound of a late 80's Lee Jackson modded JCM 800. The "Lee Jackson" sound was made famous by numerous players in the late 80's LA guitar scene like Paul Gilbert (RacerX) Warren Di Martini, Steve Vai, Zack Wylde and countless others. Inside is 2 Presets with 2 Tone Matched IRs one marked "M" which denotes a midrange push and a more balanced EQs. We have also built several snapshots utilizing several effects that are easily customizable for your style.
The MtronX Helix HX Pack with Tone Matched IRs seeks to capture the sound of the Lee Jackson designed Metaltronix M-1000 amp which was the #1 amp for LA studio guys in the late 80's for a period of time. It combines tones similar to a modded marshall but with more control and optionality. Presets marked 1 are similar to a JCM800 type sound where channel 2 adds a cascading gain stage which provides more gain and heavier saturation. Presets marked "M" feature a mid range emphasis.
The 64 Tuxedo Prince Helix HX Pack with Tone Matched IRs contains 4 Tone Matched IRs, 4 Helix and 4 HX Stomp presets designed to capture the sound and feel of a 1964 Fender Tuxedo Princeton 6G2. We have created Tone Matched IRs thru both the 10 inch Blue label oxford speaker and a 15 Inch JBL D130F speaker with both a bright and more balanced EQ
Key:
B - Bright EQ
15 - 15 inch JBL D130F
The Stealth 50 Helix HX Pack with Tone Matched IRs from Tone Junkie seeks to recreate the sound of the Crate Stealth 50 designed by Lee Jackson. Sometimes called the Marshall Killer (and loved by niche metal genres) this circuit actually comes from the modded JCM 800 lineage from the late 80s and can do 80s and 90s rock. It has a modded marshall feel but with more gain and a sizzling high end. Inside you will find 3 presets and 3 tone matches IRs. “Stealth 50 1” utilizes the 2204 model and is designed to recreate channel 1 of the amp. “Stealth 50 2” utilized the Modded 2204 Model and is designed to recreate the sound of channel 2 of the amp. “Stealth 50 3” differs from 2 in that we first applied an outboard EQ to add more midrange and pull the highs down so 3 is a more polished warmer version.
The DLX RVB Helix HX Pack with Tone Matched IRs contains 4 Tone Matched IRs, 4 Helix and 4 HX Stomp presets designed to capture the sound and feel of 2 Vintage Deluxe Reverb amps from my collection, a 1965 blackface Deluxe Reverb and a 1967 silverface Drip Edge Deluxe Reverb. In general you will find the 65 warmer and with a bit more mids than the 67 which is in general a bit brighter. Both sound wonderful clean and overdriven with or without stomps.
Key:
N - Normal Channel
V - Vibrato Channel
The 68 Purple Plexi Helix HX Pack with Tone Matched IRs contains 3 Tone Matched IRs, 3 Helix and 3 HX Stomp presets designed to capture the sound of my 1968 Purple Plexi with matching Cabinet running G12M greenbacks. This is my Favorite Marshall in the world and it has very cool history once being a part of the Aspin Pitman collection and was in the studio for the recording of Appetite for Destruction. Was is used? No idea but it was rented to the studio for that project. Utilizing the Tone Matched IRs we have captured its mojo and tone. Enjoy!
Key:
J - Jumpered Input
B - Brighter or Channel 1 Input
N - Normal or Channel 2 Input
The 62 Pro Amp Helix/HX Pack with Tone Matched IRs contains 4 Tone Matched IRs and 4 Helix and HX Stomp presets designed to capture the sound of a 1962 Fender Pro Amp hru a 2x12 cabinet with G12-65s and thru a 15 Inch JBL D130F.
Key:
N - Normal Channel
V - Vibrato Channel
15 - JBL D130F
The DMBL Bundle contains 15 Tone Matched Helix and HX Stomp Presets built on 15 Tone Matched IRs made form my collection of D style amps. The Holy Cow, an Andy Fuchs made Dumble clone modeled after John Mayers ODS, the DMBL HRM, a replica of an HRM ODS, ODS 183 built to recreate the only ODS with EL-34s, and the SSS a clone of the Full Moon Music circuit trace of the Steel Sting Singer amp know owned by John Mayer.
Key:
N - Normal Input
R - Rock Setting
J - Jazz Setting
B - Bright
15 - 15 Inch JBL D120 speaker cab
TONE MATCH UPDATE! The new V3 Stu G Collection Bundle has been updated with the newest versions of the Stu G HX/Helix Presets including 4 new Tone Matched Presets of the 62 AC, Dual and park and the New Monarch Helix Pack. If it’s got Stu’s name on it….its in the bundle!
Included in the Stu G HX Helix Everything Pack V3…
Stu G 62 AC HX Helix Presets V3
Stu G Dual HX Helix Presets V3
Stu G Park HX Helix Presets V3
Stu G Monarch HX Helix Preset V3
Stu G Arshall HX Helix Preset
1962 Alnico Blue Impulse Response Pack
1976 G12M Black Impulse Response Pack
Stu Gs Arshall Impulse Response Pack
Stu G’s 3P Cab Impulse Response Pack
The Monarch Helix/HX Pack with Tone Matched IRs seeks to capture the sound of Stu G’s Benson Monarch. We have Tone Matched each channel of the amp and designed the included preset and effects to mimic Stu’s board. Tone Matched IRs are labeled “US” for the US EQ setting and “UK” for the UK setting.
2 New Tone Matched IRs and a 2 Helix and HX Stomp Preset, plus past versions of this release included.
The Stu G 76 Park Helix/HX Pack with Tone Matched IRs seeks to capture the sound of Stu G’s 1976 Park 2x12 combo amplifier heard on countless recordings. We have Tone Matched each channel of the amp and the “Linked” input which runs both channels together. The Included preset and effects are built by Stu to replicate his pedalboard. Tone Matched IRs are labeled 1 for channel 1, 2 for channel 2 and L for linked and are designed so that any IR can be inserted into the preset and boom it’s like you just changed the amps input!
The 62 AC30 Helix Pack with Tone Matched IRs seeks to capture the sound of Stu G’s Iconic 1962 AC30. We have Tone Matched each channel of the amp and designed the included preset and effects to mimic Stu’s board. Tone Matched IRs are labeled J for Jumpered, N for Normal, B for Bright and V for Vibrato, and are designed so that any IR can be inserted into the preset and boom it’s like you just changed the amps input!
4 New Tone Matched IRs and a Helix and HX Stomp Preset, plus past versions of this release included.
The Mars Astra Helix/HX Stomp Pack with Tone Matched IRs features 2 Helix Presets, 2 HX Stomp (+1 preset with extra FX) and 2 Tone Matched IRs that seek to captured the sound of a Mars Astra thru a 1969 Marshall 4x12 with Celestion T1221 greenbacks mic’d with a Royer 121 and an SM545. This is a modern classic that combines the rich and harmonically laden tone of the KT66 but with a more modern and refined preamp, it’s sort of feels like a plexi with a JTM45’s magic dust mixed in. One of the best Marshalls of all time and a super underrated circuit.
Includes:
2 Helix Presets
2 HX Stomp Presets
2 Tone Matched IRs
The Marsh 45100 Helix/HX Stomp Pack with Tone matched IRs features 3 Helix presets, 3 HX Stomp Presets (+1 preset with extra FX) and 3 Tone matched IRs that seek to capture the sound of a 40th Anniversary JTM45/100 thru a 8x12 Celestion Alnico cabinet mic’d with a Royer 121 and SM545. This circuit is the first full stack Marshall ever produced and used by Jimmy H. These presets are include a grunt vintage low end reminiscent of the amps lineage in the Tweed Bassman but the early Celestion Alnico speakers offer an almost Vox like voicing. It’s a focused, grunt, vintage marshall tone that paved the way for everything after it. We have included presets for the Lighter input, the normal input and the inputs Jumpered.
Includes:
3 Helix Presets
3 HX Stomp Presets
3 Tone Matched IRs
The 70s Mars Rock Helix/HX Stomp Pack with Tone Matched IRs features 2 Helix Presets, 2 HX Stomp Presets (+1 preset with extra FX) and 2 Tone Matched IRs that seek to capture the sound of a 72 Marshall SuperLead and a 73 Marshall SuperBass running thru a 1969 Marshall 4x12 with T1221 Greenbacks 25m speaker mic’d with a Royer 121 and SM545. These presets are voiced for Rock and Hard Rock the mids are decently scooped, if using vintage voiced pickups like PAFs, I would recommend engaging the graphic EQ after the Amp section for more mids and upper mids. The tone is driven and tight for a 70’s unmoved marshall but still vintage feeling compared to more modern amps. The SuperBass features a heftier low end while the SuperLead will be more upper mid focused, both are classic Marshall style aggressive crunch.
Includes:
2 Helix Presets
2 HX Stomp Presets (+1 with Extra FXs)
2 Tone Matched IRs
The 65 Prince Helix/HX Pack features 2 Helix presets, 2 HX Stomp Presets (+2 with extra FX) and 2 Tone Matched IRs and seek to capture the sound of my 1965 Fender Princeton Amp with 10 inch oxford speaker. Inside you will find presets for two different voicing of this amp. “65 Prince” is truly meant to sound like my 65 Princeton and an additional “65 Princeton BRT” meant to give us a tone which is more similar to my 69 drip edge silver face Princeton. Amps form those Silverface years were brighter and almost sounded like you had turned on the bright switch, which Princetons don’t have. We modified the IR to accent the 5k range with a wider Q. Expect the “65 Prince” to be true to the fatter punchier tone that blackface fenders are known for and the “65 Prince BRT” is glassier and brighter. Both classic late 60’s early 70’s voicings.
Each Helix/HX preset is built out in snapshot mode allowing easy access, Clean, Overdriven, Rock, and Lead gain stages plus we have added some addition snapshots that feature effects or boosts that I felt complimented the amp. We are Princeton into overdrive with the Amp models gain but we are also using the KOT model for some overdrive and stacking some a 808 on top. Additionally we used one of my favorite drives in the Helix/HX… the Alpaca. I used to own a vintage Red Llama….Why did I sell that?…It’s one of the best fuzzes ever in my opinion because its lower setting s are Fuzzy OD tones that are truly unique and thats what we tried to dial in here. We also gave you a very “classic” snap shot for that beautiful Trem- Verb sound that Blackface amps are known for.
Includes:
2 Helix Presets
2 HX Stomp Presets (+2 presets with extra effects)
2 Tone Matched IRs
Notes:
You till notice and EQ block between the Amp block and the IR. This is meant to be an alternate amp voicing which wi felt worked well to compliment the amps natural character or to match to some of my different guitars. You will notice an EQ and La2a compressor placed after the the IR. These serve to make fine adjustments to the feel and high low shelving of the amp tone. While they are currently set to minimal adjustment, these are very useful for sculpting each preset to an individual. Check our Youtube channel for videos on this topic.
The SOLD 100 Helix/HX Stomp Pack with Tone Matched IRs features 3 Helix Presets, 3 HX Stomp Presets (+2 presets with extra FX) and 3 Tone Matched IRs that seek to capture the sound of a Soldano SLO 100 running thru a 1969 Marshall 4x12 with T1221 Greenback 25M speakers mic’d with a Royer 121 and SM545. This is one of the greatest guitar amps of all time, users include Eddie Van Halen to SRV and John Mayer, this is an incredible circuit. that cranks out clear and tight heavy overdriven tones, bluesy drive and beautiful clean tones.
Each Helix/HX Preset is built out in Snapshot mode allowing easy access to Clean or Cleanish, Overdriven or pushed Rock and Lead sounds depending on which channel block was used.. Stomp mode is also built out with buttons assigned. In addition to these gain levels we’ve added some killer effected snapshots like chorused and Phaser clean and dirty tones, My favorite DMM settings and an ambient tone for fun!
Includes:
3 Helix Presets
3 HX Stomp Presets (+2 preset with extra FX)
3 Tone Matched IRs
The Dual Helix Pack with Tone Matched IRs seeks to capture the sound of Stu G’s Stu’s go to set up of his 62 AC30 and his 76 Park. We have Tone Matched each channel of each amp and designed the included preset and effects to mimic Stu’s board. Tone Matched IRs are labeled J for Jumpered, N for Normal, B for Bright and V for Vibrato on the AC30 and 1 for channel 1, 2 for channel 2 and L for linked and are designed so that any IR can be inserted into the preset and boom it’s like you just changed the amps input!
7 New Tone Matched IRs and a Helix and HX Stomp Preset, plus past versions of this release included.
The 74 Park 25 Helix/HX Stomp Pack with Tone Matched IRs features 2 Helix Presets, 2 HX Stomp Presets (+1 preset with extra FX) and 2 Tone Matched IRs that seek to capture the sound of a 1974 Park 25 combo with a celestion G15m speaker (15 Inch Greenback). The 15 inch greenback produces a thick and prominent bottom end and the Parks voice is a very vintage style mid pushed tone. These are incredible little rock, blues and country amps with huge tone!
Each Helix/HX Preset is built out in Snapshot mode allowing easy access to Clean, Overdriven, and Rock and Lead sounds. Stomp mode is also built out with buttons assigned. In addition to these gain levels we’ve added some killer effected snapshots like chorused kissed “DMM”, a “Dreamy” sound with even more mod and repeats and “Rock+” for more midrange.
Includes:
2 Helix Presets
2 HX Stomp Presets (+1 preset with extra FX)
2 Tone Matched IRs
The 68 Mars PA 100 Helix/HX Pack features 5 Helix Presets, 5 HX Stomp Presets (+5 with extra FX) and 5 Tone Matched IRs that seek to capture the sound of my 1968 Marshall PA 100 Head running thru a 69 Marshall 4x12 with T1221 25w greenbacks and mic’d with a Royer 121 and SM545. Each preset and Tone Matches IR serves to capture one of the 4 inputs each with different voicing plus the inputs Jumpered together. These presets cover the classic “NRM” and “Hi Treble” Marshall input sounds that allow you to match the voicing to different guitars and pickups. From Jimmy, to Jimmi, to Theodocious Atrocious, to SRV and 80’s leads, it’s all in here!
Each Helix/HW preset is built out in snapshot mode allowing easy access, Clean, Overdriven, Rock, and Lead gain stages plus we have added some addition snapshots that feature effects or boosts that I felt complimented the amp. For example, the “Dirty Tape” preset feature multiple reel machines to produce a cool warbley chorus type sound and a couple snapshots labeled “+” which use the Klon boost to really push the high mids and give an authoritative accent for rock and lead tones. We also assigned stomps in “Stompbox” mode which are easily customizable for your playing style. HX Stomp presets features a very similar yet scaled down set up.
Includes:
5 Helix Presets
5 HX Stomp Presets (+5 presets with extra effects)
5 Tone Matched IRs
Notes:
You till notice and EQ block between the Amp block and the IR. This is meant to be an alternate amp voicing which wi felt worked well to compliment the amps natural character or to match to some of my different guitars. You will notice an EQ and La2a compressor placed after the the IR. These serve to make fine adjustments to the feel and high low shelving of the amp tone. While they are currently set to minimal adjustment, these are very useful for sculpting each preset to an individual. Check our Youtube channel for videos on this topic.
The TWreck Rockit Helix/HX Pack features 3 Helix Presets, 3 HX Stomp Presets (+1 preset with extra FX) and 2 Tone Matched IRs that seek to capture the sound of my Trainwreck Rocket running thru a 69 Marshall 4x12 with T1221 25w greenbacks and mic’d with a Royer 121 and SM545 and a 66 AC30 cabinet with 2 Alnico silverbells (indicated with an “X”). This amp amp circuit is the famed AC style designed by Ken Fisher. It is an incredibly touch sensitive and our Helix/HX Tone Matches capture the sound of what is maybe the best AC style amp in our collection. From chime and clean to overdriven and grunty, but it really shines on the edge of break-up tones.
Each Helix/HX Preset is built out in Snapshot mode allowing easy access to Clean, Overdriven, and Rock and Lead sounds. Stomp mode is also built out with buttons assigned. In addition to these gain levels we’ve added some killer effected snapshots like chorused kissed “DMM”, a “Dreamy” sound with even more mod and repeats and “Rock+” for more midrange.
Includes:
2 Helix Presets
2 HX Stomp Presets (+1 preset with extra FX)
2 Tone Matched IRs
The TWreck LiverBird Helix/HX Pack features 2 Helix Presets, 2 HX Stomp Presets (+1 preset with extra FX) and 2 Tone Matched IRs that seek to capture the sound of my Trainwreck LiverPool running thru a 69 Marshall 4x12 with T1221 25w greenbacks and mic’d with a Royer 121 and SM545. Each preset serves to capture the amplifiers tone with and without the Bright Switched engaged. This amp is extremely touch sensitive, you may notice a lack of headroom on the clean presets, the amp itself doesn’t clean up with the gain control but rather is designed to clean up with your guitars volume which it accomplished extremely well. Trainwrecks are known for being the most touch sensitive amps ever produced. There is plenty of gain on tap and playing lighting, with fingers or a pick will yield all shades of clean, breakup and overdrive.
Each Helix/HX Preset is built out in Snapshot mode allowing easy access to Clean, Overdriven, and Rock and Lead sounds. Stomp mode is also built out with buttons assigned. In addition to these gain levels we’ve added some killer effected snapshots like chorused kissed “DMM”, a “HRM FLNF” or Harmonic Flange and “Rock+” for more midrange.
Includes:
2 Helix Presets
2 HX Stomp Presets (+1 preset with extra FX)
2 Tone Matched IRs
The 65 AC100 Helix/HX Pack features 2 Helix Presets, 2 HX Stomp Presets (+1 preset with extra FX) and 2 Tone Matched IRs that seek to capture the sound of my 65 AC100 running thru a 69 Marshall 4x12 with T1221 25w greenbacks and mic’d with a Royer 121 and SM545. Each preset serves to capture the amplifiers tone with and without the Bright Switched engaged. This is possibly my all time favorite amp and I am blown away at just how spot on the Tone Matched IRs get the Helix to the actual amp! WOW! Voxy, chimey and top endy but with much more heft and girth to the tone, its like a GIANT, super hefty and AC30 full of breath and punch!
Each Helix/HX Preset is built out in Snapshot mode allowing easy access to Clean, Overdriven, and Rock and Lead sounds. Stomp mode is also built out with buttons assigned. In addition to these gain levels we’ve added some killer effected snapshots like series delay, a thick mod delay laden snapshot and a moody atmospheric effect we call “Cloudy”.
Includes:
2 Helix Presets
2 HX Stomp Presets (+1 preset with extra FX)
2 Tone Matched IRs
Notes: You till notice and EQ block between the Amp block and the IR. This is meant to be an alternate amp voicing which wi felt worked well to compliment the amps natural character or to match to some of my different guitars. You will notice an EQ and La2a compressor placed after the the IR. These serve to make fine adjustments to the feel and high low shelving of the amp tone. While they are currently set to minimal adjustment, these are very useful for sculpting each preset to an individual. Check our Youtube channel for videos on this topic.
The Inspired by JM Helix Preset Pack seeks to recreate tones inspired by John Mayer. Built on ToneMatched IRs of an amp formerly owned by John “JM Porto 1”, Our Dumble SSS Clone, 64 Vibro Champ, DMBL JM, DMBLuxe and a 64 VibroVerb and contains 11 Presets based on the tones heard on Gravity, Trust Myself, I Guess I Just Feel Like, Crossroads, Daughters (Acoustic), Heartbreak Warfare, Neon, Slow Dancing and Waiting on the World to Change. We have also included presets called “Home Base” that features catch all tones to cover other JM songs and tones and feature several varieties of amps.
11 Presets and 9 ToneMatched IRs
*Please Note - The Inspired by collection is inspired by these artists and their recordings. While we created these tones referencing the isolated guitar tracks (when available) we do not guarantee they sound exactly like any particular record or live performance. Differences in pickups and guitars and your fingers all play a part in tone and sometimes adjustments need to be made. With that said, these tones and presets should immediately remind you of these artists/songs and performances when played with roughly similar gear.
The DMBLUXE Helix/HX Pack features 4 Helix Presets, 4 HX Stomp Presets (+ 1 extra FX) and 4 Tone Matched IRs that seek to capture the sound of my Deluxe Reverb with “D* style mods” running thru a Two Rock 2x12 with Celestion G12-65s and mic’d with a Royer 121 and an SM545. Each preset and Tone Matched IR serves to capture the tone of each of the amps channels with bright switch on and off. The Tone is Thick and D style as you might imagine with much more gain than a regular deluxe but with the bright switch engaged you will find plenty of clarity and top end for beautiful and soulful American style cleans.
Each Helix/HW Preset is built out in Snapshot mode allowing easy access to Clean, Overdriven and Rock sounds. (Stomp mode is also enabled and assigned) We’ve also added Lead tones and some fun stuff using effect like a HUGE ambient snapshot with stacked verbs, a pushed 808 sound and a .8th trail for a long and vibey .8th sound tone.
Includes:
4 Helix Presets
4 HX Stomp Presets (+1 preset with extra FX)
4 Tone Matched IRs
Notes: You till notice and EQ block between the Amp block and the IR. This is meant to be an alternate amp voicing which wi felt worked well to compliment the amps natural character or to match to some of my different guitars. You will notice an EQ and La2a compressor placed after the the IR. These serve to make fine adjustments to the feel and high low shelving of the amp tone. While they are currently set to minimal adjustment, these are very useful for sculpting each preset to an individual. Check our Youtube channel for videos on this topic.
The BE50LX Helix/HX Stomp Pack with Tone Matched IRs features 2 Helix Presets, 2 HX Stomp, and 2 Tone Matched IRs that seek to capture the tone of a Friedman BE50 Deluxe thru a 1969 Marshall 4x12 with Celestion T1221 greenbacks mic’d with a Royer 121 and SM545. Incredibly tight and absolutely massive sounding. Inside you will find presets made with the Placater Clean and Dirty model matched with our Tone Matched IRs for tight low end and a Hot Rodded Marshall type feel. These Tones Absolutely RIP!!!!!!
Includes:
2 Helix Presets
2 HX Stomp Presets
2 Tone Matched IRs
The JMP 2040 Helix/HX Stomp Pack from Tone Junkie seeks to recreate the sound of a 74 JMP 2040 in 2x12 tall open back cab. HW used some studio trickery like a touch of EQ at two points in the chain, some unique preamp tubes from the Tone Junkie Collection etc. to really dial in what we would call and idealized version of this circuit. The result is a 70's Marshall tone with a ton of upper mid and openness. We tonematched the amp with the included cabinet with several mic combos as well as with several other speakers.
18 Presets (for Helix, HX Stomp, Pod Go) + 18 ToneMatched IRs
Key:
X - Alnico Blue Speaker
H - H30 Speaker
Fat - Fathead Mic
FS - Fathead and SM545
545 - SM545
121 - Royer 121
The 65 Twin Helix/HX Pack is a Tone Matched Pack containing Helix and HX Stomp presets and IRs Tone Matched to my 1965 Fender Twin Reverb with Jensen concert series C12n 12 inch speakers mic’d with a Royer 121 and a SM545. I’ve added a bunch of cool effects but overall left this preset pretty straight forward with clean, overdrive, Rock and Lead tones along with some fun and FREE effects!
