The Purple Plexi Pack seek to capture the character and grit of two vintage Marshall 50 watters thru two vintage 4×12 cabinets (1968 Marshall Purple Plexi JMP 50 and 1974 Marshall Purple Plexi JMP 50 into 68 Marshall 4×12 G12M25 and 70 Orange 4×12 G12H30)) resulting in nearly endless options to achieve your ideal British style tones. The Purple Plexi Pack features each channel of both amps thru both cabinets.
65 ToneX Captures (47 Amp + Cab and 18 Direct)
Key
M - 68 Marshall 4×12 G12M25 Greenbacks T1221
H - 70 Orange 4×12 G12H30 T1217
B - Bright Channel
N - Normal Channel
J - Both channels Jumpered
Purple Plexi V2
The Purple Plexi Pack seek to capture the character and grit of two vintage Marshall 50 watters thru two vintage 4×12 cabinets (1968 Marshall Purple Plexi JMP 50 and 1974 Marshall Purple Plexi JMP 50 into 68 Marshall 4×12 G12M25 and 70 Orange 4×12 G12H30)) resulting in nearly endless options to achieve your ideal British style tones. The Purple Plexi Pack features each channel of both amps thru both cabinets.
New Release
The Silvertone 1483 Kemper Profile Pack 2.0 seeks to recreate the tone of a vintage Silvertone 1484 and matching 1×15 Amp. A lot of guitar players may be familiar with the Silvertone Twin Twelve but this is sort of the secret weapon of the Silvertone line up and is actually the Bass Amp from the series. Truthfully it’s a pretty poor bass amp, but it is an incredible guitar amp! The breakup is gnarly, lofi and the matching 1×15 cab gives this amp a powerful old school Americana type guitar tone. We also made versions of these captures with a Marshall 4×12 with greenbacks. If you want something that is a different flavor than all the AC and Deluxe style amps of the world… try this!
22 ToneX V 2 Captures (6 Direct and 16 Amp+Cab)
Silvertone 1483
The Silvertone 1483 Kemper Profile Pack 2.0 seeks to recreate the tone of a vintage Silvertone 1484 and matching 1×15 Amp. A lot of guitar players may be familiar with the Silvertone Twin Twelve but this is sort of the secret weapon of the Silvertone line up and is actually the Bass Amp from the series. Truthfully it’s a pretty poor bass amp, but it is an incredible guitar amp! The breakup is gnarly, lofi and the matching 1×15 cab gives this amp a powerful old school…
New Release
The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band (among others in the scene).
This particular amp started life in 1967 as a stock Fender Bassman, which then served as the donor for extensive mods and a full rebuild. Channel 1 is something like a Brownface Deluxe or an 18-watt Marshall. It offers warm, dynamic, and touch-sensitive tones. Channel 2 is more aggressive and similar to a '70s 50-watt small-box Marshall with serious crunch. Channel 3 builds on that again with more gain. It has a Mesa-like vibe but thicker and fuller.
It's a little piece of rock 'n' roll history!
17 ToneX V2 Presets
67 Prune Music
The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band. This particular amp started it’s life as a…
New Release
The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After booze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
24 ToneX Presets (18 Amp +Cab and 6 Direct Amp Only)
SPRKL30 Pack!
The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After Sooze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
New Release
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best i have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
Key:
M25 - G12M25 Speaker
H30 - G12H30 Speaker
33 ToneX V2 Captures (including 11 direct and 22 amp+cab)
Wreck Collection
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best I have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
New Release
The 67 DLX DRV Pack seeks to recreate a one of kind amp loaned to me from a well known guitar player here in Nashville. He actually asked me not mention who had performed the modifications to this amp or to photograph the amp itself. It was built for him as a gift and he didn’t want to profit off the relationship. So in an effort to honor his request I can tell you that this amp started its life as a 67 Deluxe Reverb. The Vibrato Channel remained mostly that circuit with a few tweaks however the Normal channel was rebuild to cascade into the vibrato channel and provide more gain. The amp was eventually rehoused into a head and paired with an old Jensen which would have been similar to the original speaker but I felt the amp paired better with a 2×12 cab filled with Celestion G12-65s.
In a few words… this is a better Deluxe Reverb, fully capable of what a deluxe does but it naturally progresses into a harmonically rich and tight overdrive that a normal Deluxe Reverb can’t reach.
Channel 1 is the vibrato channel of the amp running thru a 2×12 Celestion G12 65.
Channel 2 is the normal channel running into the vibrato channel utilizing the gain. You can hear the extra gain stage adding a more tubular sound, more bass and more gain.
Channel 3 is the Vibrato channel with a separate D style preamp running into the vibrato channel. Brighter, a bit less mids and more clarity than channel 2.
18 ToneX V2 Captures (including 9 direct and 9 amp+cab)
67 DLX DRV Pack
The 67 DLX DRV Pack seeks to recreate a one of kind amp loaned to me from a well known guitar player here in Nashville. He actually asked me not mention who had performed the modifications to this amp or to photograph the amp itself. It was built for him as a gift and he didn’t want to profit off the relationship. So in an effort to honor his request I can tell you that this amp started its life as a 67 Deluxe Reverb. The Vibrato Channel remained mostly that circuit with a few tweaks however the Normal channel was rebuild to cascade into the vibrato channel…
New Release
The Entire Tone Junkie ToneX Collection! Every ToneX Tone Model Packs in a single, low priced Bundle!
Please note the everything pack is not a subscription for future packs.
**Artist Packs like there Stu G Packs, Official Brand Packs like the Official SineWave Continuum Pack and Inspired By Packs are not included but all other amp packs are. We would not be able to compensate our parters by including them at such a large discount.
Everything Pack
50% OFF FLASH DEAL! Get the entire collection for $99! Use code “PINK50”
The Official Sinewave Continuum OD Pack from Tone Junkie and Sinewave Amplification seeks to capture the tones of the SineWave Continuum OD Amplifier. The Continuum OD Pack features tons of tones utilizing two speakers/cabinets (G1265 and M75), options for bight switches, middle switches and both channels engaged as well as pairings with some killer overdrives and boosts. Channel one is "that tone" in two modes hi/lo. and the overdrive channel which extends the amps gain range for singing bluesy leads and even into rock territory.
89 ToneX Captures (62 Amp+Cab and 27 Direct)
Lo - Signal Structure set to low
B - Bright Switch
M - Mid switch
OD - Overdrive Channel
D - Direct
M75 - Scumback M75 speaker
Sig - JM signature settings
Official Sinewave Continuum OD Pack
The Official Sinewave Continuum OD Pack from Tone Junkie and Sinewave Amplification seeks to capture the tones of the SineWave Continuum OD Amplifier. The Continuum OD Pack features tons of tones utilizing two speakers/cabinets (G1265 and M75), options for bight switches, middle switches and both channels engaged as well as pairings with some killer overdrives and boosts. Channel one is "that tone" in two modes hi/lo. and the overdrive channel which extends the amps gain range for singing bluesy leads and even into rock territory.
New Release
The JOSE 100 Pack from Tone Junkie seeks to recreate a very special amp inspired by some of the most famous modded Marshalls ever. Used by all sorts of Rock Icons the modded Marshalls of the late 80’s became many of the iconic rock tones we think of on our favorite glam rock, 80’s rock and hard rock records. We’re captures these tones in “4 channels” which equated to 4 distinct voices using a combination of the amps settings but also mic choice and placement. Inside you will find gained up vintage Marshall to crunchy 80’s rhythm tones, Eddie, searing leads, pushed and scooped etc.
35 ToneX Presets (Including 9 Direct)
Key:
+ - Tubescreamer
D - Direct
JOSE 100
The JOSE 100 Pack from Tone Junkie seeks to recreate a very special amp inspired by some of the most famous modded Marshalls ever. Used by all sorts of Rock Icons the modded Marshalls of the late 80’s became many of the iconic rock tones we think of on our favorite glam rock, 80’s rock and hard rock records. We’re captures these tones in “4 channels” which equated to 4 distinct voices using a combination of the amps settings but also mic choice and placement. Inside you will find gained up vintage Marshall to crunchy 80’s rhythm tones, Eddie…
New Release
The DMBL WATT Pack from Tone Junkie is an original creation combining the front end preamp of two DMBL Style amps into a Hiwatt Custom 100 once we adjusted/ EQ'd out some of the kinks we arranged 2 different style channels one more on the cleaner side and one more aggressive but both channels are capable of clean to dirty tones. Channel 1 is a beautiful expressive clean to OD reminiscent of JM and JH with it's own flavor and high end roll off, while channel 2 has more sizzle and gain and feels more like an HRM flavor of breakup with that open, crisp HW style breath. I would describe channel 2 as more Marshall-esque.
17 ToneX V2 Captures including 6 direct captures
Key:
+ KLON
D - Direct
DMBL WATT
The DMBL WATT Pack from Tone Junkie is an original creation combining the front end preamp of two DMBL Style amps into a Hiwatt Custom 100 once we adjusted/ EQ'd out some of the kinks we arranged 2 different style channels one more on the cleaner side and one more aggressive but both channels are capable of clean to dirty tones. Channel 1 is a beautiful expressive clean to OD reminiscent of JM and JH with it's own flavor and high end roll off, while channel 2 has more sizzle and gain and feels more like an HRM flavor of breakup with that open, crisp HW style breath. I would describe channel 2 as more Marshall-esque.
New Release
The WRCKD86 Pack is an original, one of a kind, creation from Tone Junkie. We set out to combine gain and chime of a couple EF86 preamps with the touch sensitivity and tonality of a TrainWreck Express. The result is thick and robust overdrive with one channel featuring a more AC/Matchless style channel which we called AC and a more classic British Plexi/JTM45 crunch channel we called "PLX". It's thick, chimney, crunchy, robust and full... try to clean it up and you'll get that classic Wreck sensitivity.
28 Tone X Captures (including 6 direct amp only captures)
Key:
AC - AC style Channel
PLX - Plexi/JTM45 style channel
B - Bright
X - Alnico Speakers
+ - KLON
D - Direct
WRCKD86
The WRCKD86 Pack is an original, one of a kind, creation from Tone Junkie. We set out to combine gain and chime of a couple EF86 preamps with the touch sensitivity and tonality of a TrainWreck Express. The result is thick and robust overdrive with one channel featuring a more AC/Matchless style channel which we called AC and a more classic British Plexi/JTM45 crunch channel we called "PLX". It's thick, chimney, crunchy, robust and full... try to clean it up and you'll get that classic Wreck sensitivity.
New Release
The DMBL MSTR is an original creation form Tone Junkie. We set out to combine the tone of one of our favorite vintage marshall and typical dumble clean and lead tones and the result is an amp that captures the openness and crunch of a vintage plexi along with the versatility and thick midrange of a dumble ODS. We used a Marshall Preamp, dumble Phoenix type circuit and the power section of a 1968 Marshall PA 100... EQ'd every stage... and started tinkering. The result is one of the most remarkable, unique and versatile packs we have ever released.
25 Tone X captures (including 10 Direct)
Key:
B - Bright
D - Direct
Dumble + Marshall
The DMBL MSTR is an original, one of a kind, creation from Tone Junkie. We set out to combine the tone of one of our favorite vintage marshall with the quintessential dumble clean and lead tones... the result is an amp that captures the openness and crunch of a vintage plexi along with the versatility and thick midrange of a dumble ODS. We used a Marshall Preamp, dumble Phoenix type circuit and the power section of a 1968 Marshall PA 100... EQ'd every stage... and started tinkering. The result is one of the most remarkable, unique and versatile packs we have ever released.
New Release
The AC80 Pack from Tone Junkie seeks to recreate a classic circuit beefed up to have more power! The AC80/AC100 refers to the AC model produced by VOX utilizing an AC30 style front end into 4 EL34s. This circuit combines a classic AC30 front end with higher power handling and an over all bigger sound with more fidelity and tightness at higher gain levels while retaining the classic AC style chime and growl.
30 Tone X Presets/Tone Models (including 6 Direct Tone Models)
Key:
N - Normal EQ
B - Bright EQ
+ - Klon
FX85 - DOD Harmonic Enhancer FX85
Boost - Dumbell Boost
KOT - King of Tone
GVNR - Marshall GVNR
Super Tube - Ibanez Super Tube
SPRKL DRV - Sparkle Drive
AC80
The AC80 Pack from Tone Junkie seeks to recreate a classic circuit beefed up to have more power! The AC80/AC100 refers to the AC model produced by VOX utilizing an AC30 style front end into 4 EL34s. This circuit combines a classic AC30 front end with higher power handling and an over all bigger sound with more fidelity and tightness at higher gain levels while retaining the classic AC style chime and growl.
New Release
The Tone Junkie Big Tone Pack for Kemper contains a brand new collection of 5 classic amps from the Tone Junkie Collection captured to give you…. BIG TONE. While some more dense mixes may called for a more focused and carved out guitar tone with a mid range emphasis sometimes you just want a BIG, HUGE TONE! So we took our 65 Twin, 68 JMP PA100, 58 Bandmaster, B30 and DMBL Ultraphonix and paired them with some speakers and microphones to give you a strong and bold low end, extended airy highs and mid range emphasis to dialed in for each voice. If you are after BIG TONE, these are the biggest sounds we have pulled out of these amps. Enjoy!
19 Tone X Captures
Key
B - Bright
CLN - Clean
OD - Overdriven
DRV - Driven/ Dirty
BIG TONE!
The Tone Junkie Big Tone Pack contains a brand new collection of 5 classic amps from the Tone Junkie Collection captured to give you…. BIG TONE. While some more dense mixes may called for a more focused and carved out guitar tone with a mid range emphasis sometimes you just want a BIG, HUGE TONE! So we took our 65 Twin, 68 JMP PA100, 58 Bandmaster, BC30 and DMBL Ultraphonix and paired them with some speakers and microphones to give you a strong and bold low end, extended airy highs and mid range emphasis to dialed in for each voice. If you are after BIG TONE, these are the biggest sounds…
New Release
The JM Continuum Pack from Tone Junkie seeks to recreate the tone of the SineWave Continuum Amp. The circuit in this amp is that of the Two Rock John Mayer Signature amp. This is one of those amps that for good or bad…. it always sound like itself… the EQ, Contour, BMT swithes work to shape the tone but the amp always features that signature JM tone. It’s a deep bass, with a sweet singing quality that is open and airy. The Bright Switch, Middle Switch etc add a different flavor on top but the main course stays the same… it’s THAT TONE!
Inside the pack you will notice some settings labeled “Sig” these are the Signature settings that John marked on his Two Rock that I recorded when I got to play one of his amps years ago.
We captured the amp Direct and thru a 2×12 Celestion G12-65 which makes this a great paring for your favorite IRs (Like the Tone Junkie IR Collection!)
21 Amp+Cab and 16 Direct ToneX Captures
Key:
Sig - JM’s settings
B - Bright Switch
M - Mid Switch
BB - Bluesbreaker
D - Direct
Based on a rare Dumble amp known as the “70’s Overdrive Deluxe” the DMBL ODRV Pack from Tone Junkie seeks to capture the sound of an Overdrive Deluxe clone, mic’d with a Royer 121 ands SM545. We utilized 2 speakers the default G12-65 Celestion and the signature EJ speaker the EJ1250. While both fit the amp well you will notice the G1265 is warmer and brings out the amps naturally thick characteristic, especially on the more aggressive Rock settings. Jazz settings are cleaner and cleaner in the midrange in general but the EJ1250 also adds more presence across the range of profiles/capture. We have also included a full range of directs for matching with any of our AI IR packs and their variety of microphones or your favorite IR.
Key:
D - Direct
B - Bright
R - Rock
J - Jazz
EJ - EJ1250 speaker
The Match Brave Pack from Tone Junkie seeks to recreate the sound of the 97 Matchless Brave. An amp that is rarer than hens teeth and was the last circuit designed for Matchless my Mark Sampson. The pack contains tones, spanning from clean to British crunch. You will hear a tone reminiscent of legendary British amps but with a beautiful refined high end, a pronounced and clear bass and a fullness all its own while maintaining the high end Plexis are known for. This is one of my all time favorite amps and maybe the best Marshal amp I own. (Which includes several late 60s and early 70s amps.) Inside you will find Eqs seeking to replicate the normal and bright Eqs we have dialed in as well as 4 speaker choices in the form of accompanying IRs, Cabinets or both depending on device.
M - 69 4x12 Greenbacks
H - 70 4x12 Orange H-30s
X - 66 Vox AC30 Combo
+ - Klon
B - Bright EQ
he AC50 Pack for Kemper, ToneX, QC, and Helix seeks to capture the sound of a 1960s Vox AC50. Featuring a Brilliant and Normal Channel the AC50 takes the AC30s iconic sounds and beefs it up with a pair of EL34 adding a larger amp amp feel. To me the AC50 has a sound that is best described as an AC30 meets a Marshall Plexi. Kemper owners will find liquid profiles of all channels for each speaker IR. ToneX and QC will find Directs and Studio style captures with included IRs allowing for you to choose the speaker you would like to use.
M - 69 Marshall 4x12 G12M25
H - 70 Orange 4x12 H12 H30
X - Celestion Alnico Silver
The DMBL PHOENIX Pack seeks to recreate the tone of the "Dumble Phoenix Preamp"! the final evolution of the ODS sound and offered to dealers by Dumble this preamp covers all the ODS sounds you know and love and is even more versatile. Cleans that are bright, full bodied and beautiful, HRM style crunch reminiscent of your favorite british amps and a ultra thick and singing OD channel that is really the only one like it I have heard... it is at times fuzz like.... thick and full while remaining articulate. We shot these Tone Models thru 3 cabinets, a traditional G1265 2×12 cab, the EJ sig Eminence in a 1×12 open back combo and the JBL D120 in a Vibroverb cabinet.
69 Full rig captures and 18 Direct captures
Key:
R - Rock
J - Jazz
FET - Fet boost input
OD - OD channel
B - Bright switch
D - Direct
EJ - EJ speaker in 1×12 deluxe reverb cab
15 - JBL D120 Vibroverb 1×15 cab
The RC50 Jimmy Pack seeks to recreate the sound of a “Reeves Custom 50 “Jimmy” which is a clone of Jimmy Page’s Hiwatt used on many Led Zeppelin recordings. Compared to other HiWatts this circuit has more gain and a tight punch perfect for Jimmy and all types of rock and blues. We gave you the choice of 3 levels of saturation with 4 sounds each and also your choice of both the H and M speakers.
EVER HEARD OF JOHNNY MCINTYRE?
Well he made a name for himself in the amp world by building modified Bassman’s and BandMasters and turning them into a cross between a pushed juicy as a peach Bassman and a 70’s Marshall. This one has been outfitted with EL34s and has a blend pot to sort of mix the two sounds together. The resulting tone is one of the most incredible Blues/Rock amps we have found. The amp was dubbed the Blues Maker and we captured it across 3 settings…
1 - Pushed Fender
2 - Mid Forward Vintage Marshall
3 - 70s Plexi Crunch
The ToneX Pack features 30 Amp + Cab with 2 speaker choices, H and M, H30, and M25 Greenbacks along with 9 Direct Captures.
The BC Cub 40 Pack from Tone Junkie (for Kemper, ToneX, QC and Helix) seeks to recreate the sound of the "Bad Cat Cub 40". Combining the preamp with switchable 12ax7/EF86 preamp similar to the DC30/BC30 but on top of a larger EL34 power section. the 12AX7 side is cleaner and more scooped with a brilliant and beautiful high end. (Very reminiscent of a AC50) The EF86 side is thicker, dirtier and has a pushed midrange voice.
BC Cub 40 Tone X Pack contains:
72 Tone X Presets
18 Direct Presets
3 speaker choices for every tone model
Presets with Fat switch engaged
The JH100 Pack seeks to recreate the sound of a “PRS JH100” amplifier powering a 69 Marshall and 70 Orange 4×12 (marked H30). This is the circuit Paul lifters from one of Hendrix’s old Marshalls. It delivered a more refined Plexi tone than a vintage one in my option… being much more clear in the top end instead of raspy as the gain comes in. We captured the Normal, Bright and two channels jumped together. It’s a beautiful example of a refined plexi type sound that sounds much more polished, recording ready and clear.
39 Tone X Captures (30 Tone X Full Rig Captures and 9 Direct Captures)
Key:
B - Bright channel (Treble)
N - Normal Channel (Bass)
J - Jumpered Channels
H30 - 70 Orange 4×12 with G12H30s
D - Direct
The “BC CS50 Pack” from Tone Junkie seeks to recreate the sound of a Bad Cat AB50. This custom Shop amp from Bad Cat runs 6L6s and is extremely versatile boasting both beautiful cleans and overdrive synonymous with the Bad Cat but also a High Gain channel capable of Modern Hi Gain tones. We captures the entire breathe of tones thru 3 speaker M - Celestion G12M25, H - Celestion G12H30 and V - Celestion V30. Profiles/captures of channel 1 feature a more traditional 12ax7 Bad Cat tone with which runs a bit hotter than other Badcat/Matchess style amps. Channel 2 features high gain crunch, all captured with a Royer 121 and SM545 and HA-1073s.
The Mars 2553 Pack from Tone Junkie seeks to recreate the tone of a 1987 Marshall Silver Jubilee 2553 thru a couple of out favorite cabinets. This classic Marshall has been the sound of 100s of popular records and its reputation is well deserved. Perfect for Rock, Blues, Pop, Early Metal, etc. We shot this as a 3 channel amp. 1 Clean, 2 Crunch and 3 Lead and it's all MONEY!
M - 69 Marshall 4×12 Cab
H - 70 Orange 4×12 Cab
D - Direct
The Hot Cat 40 Pack seeks to recreate the tones of a "Bad Cat Hot Cat 40" running KT88s. Capable of much more gain than it's cousin the BC30, the Hot Cat Pack contains tones that are best described on the cleaner side as a more aggressive AC30 but as the gain rolls up you will notice a much more scooped EQ and aggressive gain level rivaling a hot rodded Marshall.
24 Presets (8 Amp+Cab, 13 Direct, 3 IRs)
Limited Time Offer!
Limited Time Offer - $99
The Entire Tone Junkie ToneX Collection! currently consisting of 20+ ToneX Tone Model Packs in a single, low priced Bundle!
The 65 Cambridge ToneX Pack seeks to recreate the sound of a 1965 Vox Cambridge 1x10 combo. Did you know that before the Vox made the Cambridge into their solid-state model it was made for two year, 65-66 as an all tube 17 watt combo? This EL84 driven 1x10 combo was designed and released to compete with the Fender Princeton reverb and feel like a cross between an AC15/10 and a Princeton. We grabbed its tone thru the Oxford made Golden bulldog speaker that is one of the best, little known old speakers that are rarely talked about. Plus we have given you the option of some larger cabs like a couple 4x12s and some old Alnico Silvers.
40 ToneX Presets (8 Direct, 32 Direct+IR) +3 extra IRs for fun!
Key:
M - 69 Marshall 4x12 G12 M25
H - 70 Orange 4x12 G12 H30
X - 66 Vox AC30 combo Alnico Silver
B - Bright EQ
N - Normal EQ
The Gainstar 15 ToneX Pack seeks to recreate the sound of a Star Gainstar 15. Built by Mark Sampson this circuit seems to share a similar tonal architecture to his previous work at Matchless and BadCat but the Gainstar 15 feels like a hotter gainer version of that sound. Channel 1 feels like a hotter and juicier Match type sound with Channel 2 being a completely high gain and searing lead type sound. Still ultra expressive but much more aggressive with a throaty voice. Unlike other attempts at this type of sound like a Hot Cat etc. This amp feels like two amps in one but still share in common an expressiveness and Tonal clarity that is the circuits signature characteristic.
32 ToneX Presets (including 8 Direct Tone Models and 3 IRs)
Key:
M - 69 Marshall 4x12 G12 M 25
H - 70 Orange 4x12 G12 H30
X - 66 AC30 Vox AC30 2x12 G12 Alnico Silver
The JMP 2040 ToneX Pack from Tone Junkie seeks to recreate the sound of a 74 JMP 2040 in 2x12 tall open back cab. HW used some studio trickery like a touch of EQ at two points in the chain, some unique preamp tubes from the Tone Junkie Collection etc. to really dial in what we would call and idealized version of this circuit. The result is a 70's Marshall tone with a ton of upper mid and openness. We captured the amp with the included cabinet and Directly from the amp and included IRs of an Orange closed back 4x12 from same era running G12H30s and a 66 AC30 cab with Alnico Silvers.
45 Presets
The Entire Tone Junkie ToneX Collection! Every ToneX Tone Model Packs in a single, low priced Bundle!
Please note the everything pack is not a subscription for future packs.
**Artist Packs like there Stu G Packs, Official Brand Packs like the Official SineWave Continuum Pack and Inspired By Packs are not included but all other amp packs are. We would not be able to compensate our parters by including them at such a large discount.
The 68 Twin Reverb 15 ToneX Capture pack seeks to recreate the sound a 1968 drip edge Twin reverb that was outfitted with a JBL D140F speaker. I ran into this amp used in a store and realized that although someone had modified this vintage amp they modified it either back in the 60s or they took the time to match the speaker and amps from fender from those years. If Fender had made a Twin with a 15 inch cab this is the speaker they would have used, because the JBL D140F was the 15 inch speaker in other fender amps in the 60s. The sound is big and bold, bright and deep like a twin should be. We captures each channel with and without the amps cabinet, both channels and with the bright switch on and off.
24 Captures (Including 12 Directs)
Key:
N - Normal Channel
V - Vibrato Channel
B - Bright Switch
The 57 5E3 Deluxe ToneX Capture Pack seeks to recreate the sound of HW's 1957 5E3 Fender Tweed Deluxe with Original Jensen P12…an absolutely beautiful sounding amp! The classic sound of Neil Young, the Eagles and tons of other acts. Channel 1 (Instrument Channel) is a bit brighter and the tones knob actually adds gain as well as brightness. Channel 2 (Microphone Channel) is a bit darker and has a beautiful vintage warmth when clean. We shot the captures with a Cascade FatHead 2 and a vintage SM545.
D - Direct profile
The 58 5E7 Bandmaster ToneX Capture Pack seeks to recreate the sound of HW’s 1958 Bandmaster. Previously believed to be a 1957, this amp is one of my all time favorites amps. 28 ToneX Captures of the Mic (2) and Instrument Channel (1) including some of our go to overdrives and presets of the amp thru a 57 Deluxe reverb cabinet ands speaker. The mic channel is more aggressive and full with more low midrange while the Instrument channels brighter and politer.
31 Captures ( including 8 Directs)
The 18 Watt Custom ToneX Capture Pack seeks to recreate the tone of a Tyler Early 18 Watt clone. Not sure if this is a one off amp or what, but ours was placed in a custom made 1x12 cabinet. We opted to run it into an old Marshall 4x12 cab with the back unscrewed to give a little more of an open back sound. The result is pretty incredible! Channel 2 is a bit juicier and brighter than channel 1 which is more rocking and has a bit more compression and gain. It sounds like a beautiful old 18 watt marshall and the cabinet choice gives it some lovely heft to balance out the sound.
I have also included direct, amp only, captures and paired them with some of our New IRs available of some of my fav cabs like the 66 Vox AC30 and 70 Orange 4x12.
32 ToneX Captures inside
The 74 Purple Plexi ToneX Pack seeks to recreate the tone of HW second Purple Plexi, this time a 1974 JMP 50. I would say the tone is slightly hotter and a little more bite and aggression than its cousin the 1968 Purple Plexi. It’s got the Aluminum panel crunch and high end bite that 70’s Marshall are known for Liquid profiles of all channels inside!!!
15 Tone Models covering the Channels 1, 2 and both channels Jumpered!
The JH20 ToneX Pack seeks to recreate the sound of “PRS HDRX 20”. Remarkably thick and harmonically full tones with every bit the magic of a vintage 100 watt marshall. This amp really blew us away. Harmonically rich, fat and sustain for days. Absolutely inspired by an old Plexi but this has a magic all its own…ultra responsive beautiful clean and dirty!
20 Tone Models covering the Bass and Treble channels as well as the jumpered channels normal and bright.
The Match Mini ToneX Capture pack from Tone Junkie seeks to recreate the sound of a Matchless SC-Mini. We tailored our setup to get the most out of this little single ended el84, EF86 driven circuit. We captured it thru a larger Match EDS 2x12 to utilize the M and H style speakers, which lends to even more versatility. Imagine the Match sound but in a more Princeton/Champ style package. It’s a keeper for any Match fan…
16 ToneX Capture Presets (Amp+Cab)
H - H30 Speaker
M - M25 speaker
B - Bright
The Mars Astra ToneX Capture Pack seeks to recreate the Marshall Astra combo amp. Powered by KT66s this circuit has more vintage voice (a la JTM45) than other modern marshall style amps but much more gain on tap than other marshall amps featuring the KT66 power tubes. This gives the Astra captures a familiar and classic sound but with the flexibility and smoother sound of a more polished modern circuit. Jimi to Jimmy, clean to mean. This is one of the best Marshall amps no one talks about.
23 ToneX Captures (Amp+Cab)
Hi/Lo input
B - Bright EQ
+ - KLON
The DMBL ODS 124 ToneX Pack seeks to recreate the sound of a D*mble Overdrive Special #124, one of the most documented D style amps in history. We sent this ODS up to lean on its strengths which we felt was on the more aggressive overdrive side. There are of course D style cleans but you will hear more lower mids compared to the latter HRM style circuits.
16 ToneX Capture Presets (Amp+Cab)
N - Normal Input
FET - FET input
R - Rock
J - Jazz
B - Bright
The Tweed DMBLuxe ToneX Capture Pack seeks to recreate a Tweed amp made with all the Tweedle D mods. It’s quite a bit different than a 57 Tweed Deluxe, more punchy and less fuzzy at higher gain. Probably breaks up earlier and overall because of the speaker has a less vintage Alnico speaker sound. Smooth and thick tweed tone with a tighter break up and smooth high end.
20 ToneX Capture Presets (Amp+Cab)
Key
N - Normal Input
B - Bright Input
J - Jumpered Input
+ - KLON
TS - TS808
The AC44 is the best Vox amp that was never made! We took the AC10 and ran it thru an EL34 Power amp and the result is all the chimey AC top end and break up but with the heft of those EL34s. It's not the AC50 or the AC30 its something new! Cleans up incredibly well and has 4 voices, Normal, Bright, Low Cut and MIDs!
78 ToneX Presets (26 Amp and Cab + 52 direct amp captures)
24 Impuse Responses
Key
N - Normal EQ
B - Bright EQ
LC - Low Cut
MIDS - Mid push
+ - KLON
TS - TS808
M - G12 M25 T1221 Greenback
H - G12 H30 T1217 Greenback
X - G12 Alnico Silver
We have created a MNSTR!!! HW invented an amp like no other, we rigged up two incredible amp in a very unorthodox way and created a circuit that sound like nothing else out there. MNSTR is the full BC30 12AX7 or EF86 pre and EL84 power amp loaded down and brought to line level sent to EQ out to the EL34 Power Section of the Match Chief achieving gain staging in 3 separate tube sections and allows for independent control over break up and EQ of all 3 sections. The MNSTR sounds like a saturated, growl and roar while still maintaining qualities of Vox chime in the cleaner tones, from the EL84s and the some Plexi style brightness from the EL34s and Plexi style output section. Even when clean, the MNSTR has a unique explosive fuzz-like quality and when driven you can unlock unique violin type lead sustain.
84 ToneX Presets (including 24 Impulse Responses)
Key
B - Bright
+ - KLON
TS - TS808
M - M25 speaker
H - H30 Speaker
X - Alnico Silver
The AC10 SRT+ Tone X Capture seeks to recreate the tone of a Henry SRT+, clone of a 60s VOX AC10 SRT. It has an exceptional clean tone with a sparkly top end and can be driven into a harmonically rich distortion. Captures marked N feature the original circuit and are the most full thick. B denotes a boosted top end for more gain and top end crispness, while LC denotes a low cut for a bright thinner tone. All 3 can be paired with one of any of the 24 included Impulse responses featuring 3 cabinets denoted as X (Alnico Silver), M (G12M25) and H (G12H30).
45 ToneX Presets (15 direct amp captures paired with various Impulse Responses)
24 Impuse Responses
Key
N - Normal EQ
B - Bright EQ
LC - Low Cut
M - G12 M25 T1221 Greenback
H - G12 H30 T1217 Greenback
X - G12 Alnico Silver
The BC30 ToneX Capture Pack seeks to recreate the sound of an Early Sampson Era Bad Cat Black Cat 30R, containing matchless branded parts (Matchless DC30 circuit). The tone is 3D beautiful chime-tastic AC esque million dollar high end on the 12AX7 Channel and grunt cutting full midrange growl on the EF86 channel. We wanted this to be the perfect capture pack so in addition to capturing both sides of the amp we captured the amp both as AMP+CAB captures thru a Matchless 2x12 mismatched cab (H and M speakers) as well as Direct captures + a NEW collection of NEW IMPULSE RESPONSES spanning 3 vintage cabs dialed in with 8 eq adjusted Impulse Responses per cabinet designed to give an array of fullness, low end, midrange and high end.
60 DI Captures (Direct + Impulse Response) MY FAVORITE!
40 Amp+Cab Captures (Matchless 2x12 Cabinet)
24 Impulse Responses (3 Cabinets, 8 voicing each)
Impulse Response voicing for all 3 cabinets (69 Marshall M25 T1221 4x12 , 70 Orange 4x12 H30 T1217 4x12, 66 Vox AC30 2x12 Alnico Silvers)
Normal
Bright
Warm
Chime
Cut the Mix
Fullness
Full V
Scooped V
The 97 Match Chief ToneX Capture Pack seeks to recreate the sound of a 1997 Sampson Era Matchless Chief, 100 watt amp head running thru two of my favorite 4x12 cabs. This is a Top 10 all time Amps we’ve opened. The tone is that million dollar high end Match tone meets a 100 watt plexi. Gorgeous snappy cleans, lovely syrupy overdrives and all out EL34 roaring plexi-esque rock! Captured thru our 69 Marshall 4x12 (M) and 70 Orange 4x12 (H) with a Bright (B) and neutral EQ, plus we included 5 Direct Captures and 4 Impulse responses using the H30 speaker mic’d close for warm rock tone. Enjoy these tones in al 3 flavors!
33 Captures (28 Amp+Cab and 5 Direct) + 4 Custom Impulse Responses
Key:
B - Bright
M - 69 Marshall 4x12 M25
H - 70 Orange 4x12 H30
The Skylark ToneX Capture Pack seeks to recreate the sound of an early 1960s Gibson GA-5T Skylark combo amp with Fender blue frame speaker. This circuit is Gibson’s equivalent of a Fender champ but I think this is a bit more special, for me it’s a forever amp, nothing quite sounds like it but it reminds me of a little fender with attitude and thru larger cabinets its a rocking low wattage monster. Not only did we capture the amp thru its own combo speaker but also thru a Deluxe Reverb cabinet and 69 Marshall 4x12 with greenbacks.
Key:
+ - KLON
TS - Tubescreamer
DR - 65 Deluxe Reverb Cabinet and Jensen Speaker
4x12 - 69 Marshall 4x12 with G12M25 T1221 Greenbacks
The “TWreck Express 60” ToneX Capture Pack seeks to recreate the sound of a Trainwreck Express 60 amplifier. These circuits are famous for their touch sensitivity and the ability to clean up with a light touch or the guitars volume knob. These presets contain all the touch sensitivity and nuance you would expect from the real thing. We captured this amp with 3 different EQs (Chime, Blues/Rock, and Rock) and 2 different speakers (1969 G12M25 Greenbacks and 1970 G12H30 Greenbacks) We also added 3 unique creations pairing the ToneX amp capture of the amp with some ToneX cabs from the 66 AC30. Due to the Alnico Silvers being lower wattage this would be difficult to achieve in real life, but these captures are unique and voice the Express more like a chimey AC30.
26 Captures (Amp and Cabs)
Key
M25 - 1969 G12M25 in a Marshall 4x12
H30 - 1970 G12H30 in an Orange 4x12
Silver - 1966 Alnico Silvers in 2x12 Vox AC30 Combo
The 68 Purple Plexi ToneX Capture Pack seeks to recreate the tone of a Hw's 1968 Marshall Plexi 50 watt in...you guessed it....Purple Tolex! It sounds like a huge, smooth, present, late 60s plexi panel amp. Roll back the volume and enjoy the present lively cleans, push it up and enjoy that plexiglass breakup!
31 Presets and 4 Impulse Responses (24 Amp/Cab Presets, 7 Direct Amp/IR Presets)
Key:
+ - KLON
1 - Channel 1 (Bright)
2 - Channel 2 (Normal)
J - Jumpered (1&2)
The “58 Ampeg Rocket ToneX Capture Pack” seeks to recreate the sound of a 1958 Ampeg Rocket with original Jensen P12 Speaker mic’d wont an R121 and SM545 thru an API 512c. In addition to capturing the normal and “Mike” channel (yes it says that on the amp) with and without some boost pedals we also swapped cabs and gave you 3 flavors of this amp.
Key:
+ - KLON
TS - Tubescreamer
M - Mike Input
DR - 65 Deluxe Reverb Combo Cabinet
M25 - 69 Marshall 4x12 (G12M25 Greenbacks T1221)
The 64 Tuxedo Prince Capture Pack from Tone Junkie seeks to recreate the sound of a 1964 Fender Princeton. These 6G2 Princetons share the same circuit as a brown panel twin but were updated with Fenders new Black panel stylings and paired with white knobs, dubbing it the “Tuxedo Princeton”. One of the all time best pedal platform amps, cleans similar to a blackface turned up but with more grunt and midrange which was typical of the brown panel era. We included some of our fav drives as well!
14 Captures (11 Studio and 3 DI captures with 4 IRs included)
Key -
B - Bright EQ
BB - Marshall Bluesbreaker 1a
KOT - King of Tone OD
+ - KLON
The 62 Pro Amp ToneX Capture pack from Tone Junkie seeks to recreate the sound of a 1962 Fender Pro Amp thru a 2x12 cab with G1265s. These Brown Panel circuits are known for their fenders cleans but their added midrange voice pushes you towards some heftier break up territory. The Pro amp in particular is known for being touch sensitive and the ability top set the amp dirty and clean it up with dynamics and the guitars volume knob. Captures of both the normal and vibrato channel included and pushed with a KLON.
16 Captures (10 studio and 6 Direct with 4 included Impulse Responses)
Key
N - Normal Channel
V - Vibrato Channel
+ - KLON
DI- Direct with no cabinet included
The 66 AC30 ToneX Capture Pack seeks to recreate the sound of HW’s 1966 VOX AC30 with Alnico Silver Bells. I made these for me, just how I like it and I thought you might to…It’s the perfect AC30 and it’s on us in the ToneX Free Pack! Sign up and get this enjoy one of my all time favorite…
The Perfect AC30
BC 15
The 65 Deluxe Reverb ToneX Capture Pack seeks to recreate the sound of HW’s 1965 Deluxe Reverb. This amp is a killer pedal platform so I added a few pedals in but also captured both the normal and vibrato channels so you get…
65 Deluxe Reverb
