The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After booze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
4 ToneMatched Presets for AXE3, FM9 and FM3
SPRKL30 Pack!
The Sparkle 30 Pack from Tone Junkie seeks to recreate the tone of the "Matchless SC30". We called it the sparkle 30 because it had a beautiful silver sparkle vinyl covering. After Sooze finished the demo he said "Is this the best pack you've ever made? I'll let you be the judge. You get a few speaker choices, directs and tons of tone.
New Release
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best i have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
Key:
M25 - G12M25 Speaker
H30 - G12H30 Speaker
Wreck Collection
The Wreck Collection from Tone Junkie seeks to recreate HW’s collection real and clone Trainwrecks. i have owned dozens of real and clone Wreck amps and these are the ones that have stayed. Inside you will find the Express, Liverpool and Rocket. Each amp has two speaker choices, M25 and H30. The Rocket is an AC30 style amp that chimes as you would expect the overdriven tone are among the best I have found in any amp ever! If you are an AC30 fan, you will want to try this! The Express a hot fire breathing type circuit that if I had to liken to anything… it would be a Marshall but it’s not…. it’s hot and lively and only cleans up with the guitars volume. It is incredibly responsive. The Liverpool is much more like the, it uses el84 and is also very responsive but the smaller output of the amp also makes it a great pairing with the rocket for when you want more dirt.
New Release
The 67 DLX DRV Pack seeks to recreate a one of kind amp loaned to me from a well known guitar player here in Nashville. He actually asked me not mention who had performed the modifications to this amp or to photograph the amp itself. It was built for him as a gift and he didn’t want to profit off the relationship. So in an effort to honor his request I can tell you that this amp started its life as a 67 Deluxe Reverb. The Vibrato Channel remained mostly that circuit with a few tweaks however the Normal channel was rebuild to cascade into the vibrato channel and provide more gain. The amp was eventually rehoused into a head and paired with an old Jensen which would have been similar to the original speaker but I felt the amp paired better with a 2×12 cab filled with Celestion G12-65s.
In a few words… this is a better Deluxe Reverb, fully capable of what a deluxe does but it naturally progresses into a harmonically rich and tight overdrive that a normal Deluxe Reverb can’t reach.
Channel 1 is the vibrato channel of the amp running thru a 2×12 Celestion G12 65.
Channel 2 is the normal channel running into the vibrato channel utilizing the gain. You can hear the extra gain stage adding a more tubular sound, more bass and more gain.
Channel 3 is the Vibrato channel with a separate D style preamp running into the vibrato channel. Brighter, a bit less mids and more clarity than channel 2.
The AC80 Pack from Tone Junkie seeks to recreate a classic circuit beefed up to have more power! The AC80/AC100 refers to the AC model produced by VOX utilizing an AC30 style front end into 4 EL34s. This circuit combines a classic AC30 front end with higher power handling and an over all bigger sound with more fidelity and tightness at higher gain levels while retaining the classic AC style chime and growl.
Key:
N - Normal EQ
B - Bright EQ
The DMBL WATT Pack from Tone Junkie is an original creation combining the front end preamp of two DMBL Style amps into a Hiwatt Custom 100 once we adjusted/ EQ'd out some of the kinks we arranged 2 different style channels one more on the cleaner side and one more aggressive but both channels are capable of clean to dirty tones. Channel 1 is a beautiful expressive clean to OD reminiscent of JM and JH with it's own flavor and high end roll off, while channel 2 has more sizzle and gain and feels more like an HRM flavor of breakup with that open, crisp HW style breath. I would describe channel 2 as more Marshall-esque.
The Official Sinewave Continuum OD Pack from Tone Junkie and Sinewave Amplification seeks to capture the tones of the SineWave Continuum OD Amplifier. The Continuum OD Pack features tons of tones utilizing two speakers/cabinets (G1265 and M75), options for bight switches, middle switches and both channels engaged as well as pairings with some killer overdrives and boosts. Channel one is "that tone" in two modes hi/lo. and the overdrive channel which extends the amps gain range for singing bluesy leads and even into rock territory.
Lo - Signal Structure set to low
B - Bright Switch
M - Mid switch
OD - Overdrive Channel
M75 - Scumback M75 speaker
Sig - JM signature settings
The 74 Purple Plexi Axe ToneMatch Pack seeks to recreate the tone of my favorite Marshall I have ever owned, my 1974 Marshall Purple Plexi. Of all my Marshalls this one is the most special, it obviously looks like a million bucks but it’s got that classic marshall sound and just the right amount of breath and balls! LOL. It’s beautiful clean like my 68 but it’s more aggressive when overdriven and has the classic Marshall Rock Sound!
The BC 15 Axe Tonematch Pack from Tone Junkie seeks to recreate the sound of a Sampson Era BC15. This 15 watt circuit was paired with 2x10 inch speakers and had a bright and present top end fitting of an AC15 style amp. Tonematched with both a more balanced and a brighter EQ.
The Gainstar 15 Axe ToneMatch Pack seeks to recreate the sound of a Star Gainstar 15. Built by Mark Sampson this circuit seems to share a similar tonal architecture to his previous work at Matchless and BadCat but the Gainstar 15 feels like a hotter gainer version of that sound. Channel 1 feels like a hotter and juicier Match type sound with Channel 2 being a completely high gain and searing lead type sound. Still ultra expressive but much more aggressive with a throaty voice. Unlike other attempts at this type of sound like a Hot Cat etc. This amp feels like two amps in one but still share in common an expressiveness and Tonal clarity that is the circuits signature characteristic.
The JM Continuum Pack from Tone Junkie seeks to recreate the tone of the SineWave Continuum Amp. The circuit in this amp is that of the Two Rock John Mayer Signature amp. This is one of those amps that for good or bad…. it always sound like itself… the EQ, Contour, BMT swithes work to shape the tone but the amp always features that signature JM tone. It’s a deep bass, with a sweet singing quality that is open and airy. The Bright Switch, Middle Switch etc add a different flavor on top but the main course stays the same… it’s THAT TONE!
The 57 5E3 Deluxe Pack seeks to recreate the sound of HW's 1957 5E3 Fender Tweed Deluxe with Original Jensen P12… An Absolutely beautiful sounding amp! The classic sound of Neil Young, the Eagles and tons of other acts. Channel 1 (Instrument Channel) is a bit brighter and the tones knob actually adds gain as well as brightness. Channel 2 (Microphone Channel) is a bit darker and has a beautiful vintage warmth when clean. We also included options for different microphones like the fathead, SM545 and M7. Plus a tone match of the bandmasters 3×10 cab.
The RC50 Jimmy Pack seeks to recreate the sound of a “Reeves Custom 50 “Jimmy” which is a clone of Jimmy Page’s Hiwatt used on many Led Zeppelin recordings. Compared to other HiWatts this circuit has more gain and a tight punch perfect for Jimmy and all types of rock and blues. We gave you the choice of 3 levels of saturation with 4 sounds each and also your choice of both the H and M speakers.
The JOSE 100 Pack from Tone Junkie seeks to recreate a very special amp inspired by some of the most famous modded Marshalls ever. Used by all sorts of Rock Icons the modded Marshalls of the late 80’s became many of the iconic rock tones we think of on our favorite glam rock, 80’s rock and hard rock records. We’re captures these tones in “4 channels” which equated to 4 distinct voices using a combination of the amps settings but also mic choice and placement. Inside you will find gained up vintage Marshall to crunchy 80’s rhythm tones, Eddie, searing leads, pushed and scooped etc.
The 65 Cambridge Axe ToneMatch Pack seeks to recreate the sound of a 1965 Vox Cambridge 1x10 combo. Did you know that before the Vox made the Cambridge into their solid-state model it was made for two year, 65-66 as an all tube 17 watt combo? This EL84 driven 1x10 combo was designed and released to compete with the Fender Princeton reverb and feel like a cross between an AC15/10 and a Princeton. We grabbed its tone thru the Oxford made Golden bulldog speaker that is one of the best, little known old speakers that are rarely talked about. Plus we have given you the option of some larger cabs like a couple 4x12s and some old Alnico Silvers.
the 97 Match Chief Axe Tonematch Pack from Tone Junkie seeks to recreate the wound of a Sampson Era Matchless Chief (Not Cheiftain). This is one of my favorite all time marshalls and sound alike a cross between an early JTM45/Bassman type amp but it has that beautiful million dollar high end these amps are known for. We ToneMatched this amp with our M (M25) and H (H30) with both a more balanced and a brighter EQ.
The SMPN BC30 Axe Tonematche Pack seeks to recreate the sound of a Sampson Era BC30. We Tonematched the amp with 2 speaker choices on each channel utilizing the 12AX7 and EF86 preamp tubes. One of the most beautiful and versatile amp I have heard…. it’s everything you love about an AC30 but classier!
The Hot Cat 40 Pack seeks to recreate the tones of a "Bad Cat Hot Cat 40" running KT88s. Capable of much more gain than it's cousin the BC30, the Hot Cat Pack contains tones that are best described on the cleaner side as a more aggressive AC30 but as the gain rolls up you will notice a much more scooped EQ and aggressive gain level rivaling a hot rodded Marshall.
6 ToneMatched Presets
The Mars Astra Axe ToneMatch Pack seeks to recreate the tone of the Marshall Astra, a JTM45 inspired circuit running KT66s but with a more plexi like front end. This circuit never existed but it could have and It may have become an all time classic. This is one of our favorite Marshalls of all time and a very underrated amp, now Tonematched for the Axe 3, FM9 and FM3.
The 58 5E7 Bandmaster Pack seeks to recreate the sound of HW’s 1958 Bandmaster. Previously believed to be a 1957 is one of my all time favorites amps. We created new profiles of the amp with several mic choices including 121-545 combined and with single mic options, and an 87a micd on the baffle. The Mic Channel (2) is full and driven, The instrument channel (1) is brighter and a bit more scooped in the low mid.
The DMBL MSTR is an original, one of a kind, creation from Tone Junkie. We set out to combine the tone of one of our favorite vintage marshall with the quintessential dumble clean and lead tones... the result is an amp that captures the openness and crunch of a vintage plexi along with the versatility and thick midrange of a dumble ODS. We used a Marshall Preamp, dumble Phoenix type circuit and the power section of a 1968 Marshall PA 100... EQ'd every stage... and started tinkering. The result is one of the most remarkable, unique and versatile packs we have ever released.
Key:
B - Bright
The WRCKD86 Pack is an original, one of a kind, creation from Tone Junkie. We set out to combine gain and chime of a couple EF86 preamps with the touch sensitivity and tonality of a TrainWreck Express. The result is thick and robust overdrive with one channel featuring a more AC/Matchless style channel which we called AC and a more classic British Plexi/JTM45 crunch channel we called "PLX". It's thick, chimney, crunchy, robust and full... try to clean it up and you'll get that classic Wreck sensitivity.
Key:
AC - AC style Channel
PLX - Plexi/JTM45 style channel
B - Bright
X - Alnico Speakers
The 66 AC30 Axe ToneMacth Packs from Tone Junkie Seeks to recreate the sound of our 1966 AC30 with original Celestion Alnico Silver speakers. We Tonematched each channel, Brilliant, Normal and Jumpered to give you all of the tones of the amp. Dialed in for beautiful cleans, warm overdrive and grindy british indie rock, these ToneMatched presets sound and feel like owning a our 1966 AC30.
The “BC CS50 Pack” from Tone Junkie seeks to recreate the sound of a Bad Cat AB50. This custom Shop amp from Bad Cat runs 6L6s and is extremely versatile boasting both beautiful cleans and overdrive synonymous with the Bad Cat but also a High Gain channel capable of Modern Hi Gain tones. We captures the entire breathe of tones thru 3 speaker M - Celestion G12M25, H - Celestion G12H30 and V - Celestion V30. Profiles/captures of channel 1 feature a more traditional 12ax7 Bad Cat tone with which runs a bit hotter than other Badcat/Matchess style amps. Channel 2 features high gain crunch, all captured with a Royer 121 and SM545 and HA-1073s.
The DMBL PHOENIX Pack seeks to recreate the tone of the "Dumble Phoenix Preamp"! the final evolution of the ODS sound and offered to dealers by Dumble this preamp covers all the ODS sounds you know and love and is even more versatile. Cleans that are bright, full bodied and beautiful, HRM style crunch reminiscent of your favorite british amps and a ultra thick and singing OD channel that is really the only one like it I have heard... it is at times fuzz like.... thick and full while remaining articulate. We shot these profiles thru 3 cabinets, a traditional G1265 2×12 cab, the EJ sig Eminence in a 1×12 open back combo and the JBL D120 in a Vibroverb cabinet.
The JH20 Axe ToneMatch Pack seeks to recreate the sound of a PRS HDRX 20, inspired by a marshall played by Hendrix but reduced to 20 watts. The ToneMatches capture the Plexi but smaller and more focused nature of the amp which is a what makes the JH20 special!
The Mars 45/100 Axe Tonematch Pack seeks to recreate the sound of a Marshall 45/100 Super Amplifier just like the big double powered JTM45 with 8x12 cab that Jim Marshall made for Hendrix to get his JTM45 design up to 100 watts. The result is a big wide open JTM45 sound with more low-end and breathe.
The AC50 Pack seeks to capture the sound of a 1960s Vox AC50. Featuring a Brilliant and Normal Channel the AC50 takes the AC30s iconic sounds and beefs it up with a pair of EL34 adding a larger amp amp feel. To me the AC50 has a sound that is best described as an AC30 meets a Marshall Plexi. Speaker options include…
M - 69 Marshall 4x12 G12M25
H - 70 Orange 4x12 H12 H30
X - Celestion Alnico Silver
Based on a rare Dumble amp known as the “70’s Overdrive Deluxe” the DMBL ODRV Pack from Tone Junkie seeks to capture the sound of an Overdrive Deluxe clone, mic’d with a Royer 121 ands SM545. We utilized 2 speakers the default G12-65 Celestion and the signature EJ speaker the EJ1250. While both fit the amp well you will notice the G1265 is warmer and brings out the amps naturally thick characteristic, especially on the more aggressive Rock settings. Jazz settings are cleaner and cleaner in the midrange in general but the EJ1250 also adds more presence across the range of profiles/capture.
Key:
B - Bright
R - Rock
J - Jazz
EJ - EJ1250 speaker
The JH100 Kemper Profile pack seeks to recreate the sound of a “PRS JH100” amplifier powering a 69 Marshall and 70 Orange 4×12 (marked H30). This is the circuit Paul lifters from one of Hendrix’s old Marshalls. It delivered a more refined Plexi tone than a vintage one in my option… being much more clear in the top end instead of raspy as the gain comes in. We captured the Normal, Bright and two channels jumped together. It’s a beautiful example of a refined plexi type sound that sounds much more polished, recording ready and clear.
Key:
B - Bright channel (Treble)
N - Normal Channel (Bass)
H30 - 70 Orange 4×12 with G12H30s
The 68 Mars PA Axe Tone Match Pack seeks to recreate the sound of our 1968 Marshall Plexi Master PA. A Golden year for Marshalls, the 68 Marshall PA is 100 watts and is most like a Super Bass but with an added gain stage. Featuring 4 channels all individually tone matched with various mic setups as well as Jumpered together.
The BC Cub 40 Pack from Tone Junkie (for Kemper, ToneX, QC and Helix) seeks to recreate the sound of the "Bad Cat Cub 40". Combining the preamp with switchable 12ax7/EF86 preamp similar to the DC30/BC30 but on top of a larger EL34 power section. the 12AX7 side is cleaner and more scooped with a brilliant and beautiful high end. (Very reminiscent of a AC50) The EF86 side is thicker, dirtier and has a pushed midrange voice.
BC Cub 40 Pack for Axe III, FM9, and FM3 contains:
6 ToneMatched Presets
The Empire Axe ToneMatch Pack from Tone Junkie seeks to recreate the sound of a Tone King Imperial. Often described as having the vibe of a deluxe or super but with the chimey high end of an AC30. This circuit has become somewhat of a modern classic and its vibe now lives in the Axe 3, FM9 and FM3.
The JMP 2040 Axe ToneMatch Pack from Tone Junkie seeks to recreate the sound of a 74 JMP 2040 in 2x12 tall open back cab. HW used some studio trickery like a touch of EQ at two points in the chain, some unique preamp tubes from the Tone Junkie Collection etc. to really dial in what we would call and idealized version of this circuit. The result is a 70's Marshall tone with a ton of upper mid and openness. We also ToneMatched to several other speakers including H30 and Alnico Silver and utilized several mics such a FatHead, Royer 121, SM545.
18 Presets
Free Download - Sooze’s 30/15
Free Download - Express 60