57 Tweed Band Kemper Profile Pack
The 57 Tweed Band Kemper Profile Pack seeks to recreate the sound of an original 1957 5E7 Fender Bandmaster with original 1957 Jensen Alnico P10 speakers. These circuits are famous for their beautiful, harmonically rich and full tweed tone. It sits in a perfect spot tonally between the 5E3 Tweed Deluxe and the 5F6 Tweed Bassman and processes qualities that seem to borrow from both of it’s sister models beautifully.
Inside the profile pack we’ve captured all the shades that we could pull out of this vintage tonal treasure! We’ve profiles this circuit across both channels and with 3 different Mic setups. Profiles Marked “M” are of the Mic channel which has less presence than the Instrument channel which is denoted by “I”. We choose for this pack the classic pairing of a Royer 121 and SM57 thru API channel strip clones. These profiles will feature a warm low end with a an upper mid push and a clear silky high end. “F” profiles are designed to have increased fatness and utilize a Fathead 2 and SM57 mic combo also thru API clones. These profiles have healthy portion of low end and low mids with a slightly more strident high end and are extremely pleasing and full with single coil pickups!
We also included profiles marked “906” which feature the E906 single dynamic microphone. This mic seemed to mesh very well with the 5E7 circuit with the two having very complimentary EQ curves. These profiles will cut the mix and are useful for their very focused EQ.
Key:
I - Instrument Channel
M - Mic Channel
F - Fathead/57 combo
906 - 906 Microphone
The 57 Tweed Band Kemper Profile Pack seeks to recreate the sound of an original 1957 5E7 Fender Bandmaster with original 1957 Jensen Alnico P10 speakers. These circuits are famous for their beautiful, harmonically rich and full tweed tone. It sits in a perfect spot tonally between the 5E3 Tweed Deluxe and the 5F6 Tweed Bassman and processes qualities that seem to borrow from both of it’s sister models beautifully.
Inside the profile pack we’ve captured all the shades that we could pull out of this vintage tonal treasure! We’ve profiles this circuit across both channels and with 3 different Mic setups. Profiles Marked “M” are of the Mic channel which has less presence than the Instrument channel which is denoted by “I”. We choose for this pack the classic pairing of a Royer 121 and SM57 thru API channel strip clones. These profiles will feature a warm low end with a an upper mid push and a clear silky high end. “F” profiles are designed to have increased fatness and utilize a Fathead 2 and SM57 mic combo also thru API clones. These profiles have healthy portion of low end and low mids with a slightly more strident high end and are extremely pleasing and full with single coil pickups!
We also included profiles marked “906” which feature the E906 single dynamic microphone. This mic seemed to mesh very well with the 5E7 circuit with the two having very complimentary EQ curves. These profiles will cut the mix and are useful for their very focused EQ.
Key:
I - Instrument Channel
M - Mic Channel
F - Fathead/57 combo
906 - 906 Microphone
The 57 Tweed Band Kemper Profile Pack seeks to recreate the sound of an original 1957 5E7 Fender Bandmaster with original 1957 Jensen Alnico P10 speakers. These circuits are famous for their beautiful, harmonically rich and full tweed tone. It sits in a perfect spot tonally between the 5E3 Tweed Deluxe and the 5F6 Tweed Bassman and processes qualities that seem to borrow from both of it’s sister models beautifully.
Inside the profile pack we’ve captured all the shades that we could pull out of this vintage tonal treasure! We’ve profiles this circuit across both channels and with 3 different Mic setups. Profiles Marked “M” are of the Mic channel which has less presence than the Instrument channel which is denoted by “I”. We choose for this pack the classic pairing of a Royer 121 and SM57 thru API channel strip clones. These profiles will feature a warm low end with a an upper mid push and a clear silky high end. “F” profiles are designed to have increased fatness and utilize a Fathead 2 and SM57 mic combo also thru API clones. These profiles have healthy portion of low end and low mids with a slightly more strident high end and are extremely pleasing and full with single coil pickups!
We also included profiles marked “906” which feature the E906 single dynamic microphone. This mic seemed to mesh very well with the 5E7 circuit with the two having very complimentary EQ curves. These profiles will cut the mix and are useful for their very focused EQ.
Key:
I - Instrument Channel
M - Mic Channel
F - Fathead/57 combo
906 - 906 Microphone