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The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band (among others in the scene).
This particular amp started life in 1967 as a stock Fender Bassman, which then served as the donor for extensive mods and a full rebuild. Channel 1 is something like a Brownface Deluxe or an 18-watt Marshall. It offers warm, dynamic, and touch-sensitive tones. Channel 2 is more aggressive and similar to a '70s 50-watt small-box Marshall with serious crunch. Channel 3 builds on that again with more gain. It has a Mesa-like vibe but thicker and fuller.
It's a little piece of rock 'n' roll history!
20 Kemper Profiles (Including 3 Liquids + 8 Directs)
The 67 PMBM Pack from Tone Junkie seeks to capture the tone of a very rare '67 Prune Music Bassman. Randall Smith (who would later found Mesa/Boogie) began modifying amps at a small SF Bay Area music shop called Prune Music. These amps became hugely popular with iconic musicians like the Grateful Dead, Santana, and Steve Miller Band (among others in the scene).
This particular amp started life in 1967 as a stock Fender Bassman, which then served as the donor for extensive mods and a full rebuild. Channel 1 is something like a Brownface Deluxe or an 18-watt Marshall. It offers warm, dynamic, and touch-sensitive tones. Channel 2 is more aggressive and similar to a '70s 50-watt small-box Marshall with serious crunch. Channel 3 builds on that again with more gain. It has a Mesa-like vibe but thicker and fuller.
It's a little piece of rock 'n' roll history!
20 Kemper Profiles (Including 3 Liquids + 8 Directs)